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Reference And Integration

Posted on:2011-12-18Degree:MasterType:Thesis
Country:ChinaCandidate:Y F FengFull Text:PDF
GTID:2205360308975425Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The long-term alienation of modern Chinese lacquer painting outside of the contemporary mainstream art,Traced back then was lacquer painting a lack of a correct understanding of ontology language, aesthetic orientation deviation and misunderstanding of the concept of creation eventually lead to ontology language of painting is extremely scarce. This is a modern Chinese lacquer painting and contemporary art can never be a real sense of the equal dialogue and exchanges, from start to finish in a state of the root causes of aphasia. Therefore, ontology language of modern Chinese lacquer painting to explore is clearly in a relatively non-intellectual state. we characterized as lacquer painting of the development of sub-health status for the lacquer painting of the development of more practical significance.This is the combination of the creative experience of the National Fine Arts Exhibition, standing Ontology Language important properties of painting to get to know the height of lacquer painting, a large amount of space on the painting of the definition of ontology language, ontology language development status, lacquer painting creation mistakes and other aspects of the full exposition.
Keywords/Search Tags:Language, decorative aesthetic, materials, forms
PDF Full Text Request
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