Dialect Of The Role And Significance, In The Northern Shaanxi Folk Songs

Folk Songs is a wonderful work of folk art in China, due to unique geographic advantages and environment, after years of development and evolution of northern Shaanxi folk songs form the basis of abundant life, lively melodies, lyrical nature and other unique artistic style. Of Folk Songs, for interpretation Northern culture, inherited the fine traditions of folk art of great significance.Non-material cultural heritage, the Northern Shaanxi Folk Songs can be counted as a culture and even the Yellow River culture and a major re-document. Position in the arts, the Chinese culture, it can be regarded as trouble dream land. But look at the history of its development, only to find the face of this piece of art of wonderful work is always flickering, like quicksand under the river, between the visible and invisible, between sound and silence. Prostitutes in the thick of culture and art, the not only lacked a plain surrounded by rivers and lakes, coconut palms wave baptism, nor received a unique ethnic cultural edification.In the eyes of artists, arts and culture is a storm, those who lurk in the river bed of gravel is often ignored. Its purpose and it can not be uncertain, and will gradually fade out of public view. But no one can assert that quicksand of mediocrity, just follow the mother river of its flow through the thousands of silent communication TIMES, has naturally not constitute a pulse of air and thick speech. From the "Northern Ray" Mr. Wang Xiangrong there come to the Northern Shanxi Folk Songs such as regional characteristics, so that the author is not surprising, because as long as can really sing understand, people who can read her make such accurate generalizations.In northern Shaanxi, people's happiness, anger, sadness and joy in every emotion, are available in the form of folk expression. Echoing both the standing of top of the Loess Plateau, or walking trail in the winding, or a great way to go in Yimapingchuan everywhere can hear the wind drifting across to the melodious song - this is the Northern Shaanxi Folk Songs. "Sorrow freak women, men Sings sorrow." Loess Plateau, both Po Yi had Ruqirusu's "Tears cell eggs thrown Artemisia Wormwood Forest", there will be epigenetic their "voice back to the sheep bar Niu Sheng "singing echoed. In fact, the Northern Shaanxi Folk Songs is a soil and water to support one side of the real reflection, is a yellow ground morals true reflection of public sentiment, so both men and women in northern Shaanxi have naturally like the folk song form.Northern resounding melodious folk songs, simple melodies fresh. Her sincere feelings in mind as a rough thick strokes, gentle and affectionate manner to bring spiritual comfort. Analysis of the folk singer and hot look forward to the solitude of heart, unreservedly dedicated to the world. Demonstrating the spiritual world and the people in Northern customs and climate of northern Shaanxi.Through the Northern Shaanxi Folk Songs with relation tone, rhythm and relationship analysis of the relationship between sentences, so that we in Northern tone and rhythm to the relationship between the Northern dialect and folk songs sound the severity of the relationship between rhythm-based, Northern Words and Phrases stack and folk songs such as the relationship between rhythm, lyrics and songs Sentence Rhetorical relations have a clearer understanding, further elaborated in Northern folk singing in the role and significance.