| This essay tries to explore the art esthetics thought, Feng zi-kai divided into five chapters.The first chapter of the first quarter, mainly de-scribes the aesthetic appreciation is Feng zikai thoughts. He thinks artisti c eye is "see" and not "see", the thing itself is a direct reflection attitude of images, not to think about it, the utility of human beings relationship or research relations. That is the art appreciation attitude is a kind of insulating "attitude, this kind "insulating" attitude is neither utilitarian attitude, also not possess scientific research attitude. On the basis of "insulation", further will of their own feelings appreciator among the ruthless move objects, for sentient beings, can achieve "all in one" state, this also is beauty and truth (ecru) the same; The second section discusses about the main is Feng zikai practical art thoughts. He thinks about things, not only the human has practical requirement, also have aesthetic requirements, but the fine practical artwork is able to meet the needs of people this two respects. Leans to practical, then appears vulgar, aesthetic, then appears empty tends to achieve practical, practical art and aesthetic of the organic unity. He criticized when capitalist commercial art to business profits and ravaged art, in order to advertising and sacrifice practical. But modern practical art is to arrive the perfect combination of technology and art. This also is beautiful and good (utility) unity.Chapter 2 discusses the subject of art creation is the purpose of the education condition and art. Feng zikai think, a real artist, must have both pure art of heart and superb artistic skills, but the art of heart than artistic skills; This single "art heart" is refers to the deep sympathy and love heart, is pure forthright with lively outdid the child sexual freedom. Artists should pass feeling nature, experience life and learning masterpieces, read million book, did the enriching to conserve own artistic soul; The artist's skills can't just stay in skill level, must by the way technology, which can be in uniform, "" "diversity can see big, small string outside have lingering "and" music ", "high and innovative, forming personal style"; Artistic skills to lay particular stress on the art of neglect the artistic spirit education, Feng zikai's point that the purpose of education, art, is the application of "artistic spirit," is the deep sympathy and self-restraint learners generous benevolence, abate human utilitarianism, heart and possessive is self-restraint temperament, sincere and lively they increase the appeal of the life, not the citizens into test machine, not earn skills training.Chapter 3 for example western painting of edom. The first section discusses mainly about western traditional paintings and Feng zi-kai, the difference between the traditional Chinese painting thoughts. He summed up the difference:western painting notice perspective, character form will correct the perspective rule, in accordance with Chinese law pays attention to freehand brushwork in traditional Chinese painting, informal; Western painting that pays attention to the body's anatomy, each parts according to various characters, Chinese painting, truthfully description rules look, but don not like physical; shaw Western painting materials widely, love the human body, Chinese paintings drawn is narrower, loving nature; Western painting the background, Chinese painting that attention not heavy background; Western painting notice colour, line is not significant, shape filled with Chinese lines, color is not obvious. In short, western painting, the painting heavy like amiable, gout shape lifelike, Chinese painting, the painting heavy verve lively, gout than that. By comparison, Chinese paintings slightly better. The second section is discussed by modern, western painting since the Chinese painting influence. Impressionist painting technicolor, peculiar composition of lines, impressionist elevation, simple style, in the skills of China is the imitation explained. Impressionism impressionism contribute, landscape after independence, still lifes in topics are subject to the Oriental humanizes painting. Modern art movement of the representative figure of kandinsky artistic spirit of extreme with traditional Chinese paintings thought highly of the main interest is of great uplift similarities; And some of the painter, modern China in succession, the study abroad western painting painting techniques and thought also greatly influence by western painting. Feng zi-kai of their paintings and is the combination of things, pay attention to freehand brushwork in traditional Chinese painting, both appearance. The fourth chapter painting and literature (poetry), for example. The first section discusses mainly the thoughts about both Feng zi-kai difference is used:painterly natural symbols, its modelling can called figurative beauty, literature used is artificial symbols, its expression belong to ChouXiangMei. Painting, literature than literature image intuitive than painting strong expressiveness; People enjoy painting mainly with vision, appreciate literature is mainly by hearing and imagination. In this way, can say painting is visual art, literature is the art of imagination by hearing. In short, painting is an art of space, are static art, is a visual art, and poetry is an art of time, is a dynamic art, is the art of imagination by hearing. The second section discusses their common main harmony place. The poet of nature as observation and painter, it is to use "near-far method". And the poet natural forms of gimmick with painter described prosperity. Painter observations of natural things and poet, as sentient beings attitude. The combination of paintings and poems have two kinds of cases:the first kind is the combination of painting and poem surface, the second is the inner union, the latter is the real combined. And the real artist, requires a painter's eyes and the poet's heart. And he said, artists in the poet's heart "scene" feel eyes, with the "scene" painter eyes express "emotion" in the heart, blending, way and heart".The fifth chapter discusses the function of Feng zi-kai about art is the thought. Judging from the first quarter, art can direct function of disease treatment, comfort the person's psychology and promote human body health, make the person prolong life; Can improve the production efficiency, increase the economic benefit; Can encouraging and morale, enhance the patriotic enthusiasm and revolutionary morale; People's material desire for abstinence, promote people's heartfelt solidarity, which is beneficial to the founding of Anti-Japanese War. The second section discusses the art of indirect function. Art can reduce the life anguish, cultivate the appeal of the life, perfect mental personality; Can open the person's mind, inspired in the wisdom of men, the border of the people of ascension; Can enlighten people's idea, arousing the revolutionary consciousness; Can promote equality, cultivate people's love, promote social harmony and world peace. Abundant variety of Mr. Art education function, it is the attempt to artistic aesthetic attitude we witness life, achieve the life of artisticisim, the appeal of the life change.This paper mainly USES the dialectical methods to study Feng zikai's art esthetics thought, to highlight his thought of dialectical place. Both to his pure theory discussion, such as art appreciation and artistic creation, but also to his artistic practice, such as the theory of Chinese and western painting explore contrast and painting and literary relations; Both the theoretical research of reality, but also to the research, like pointing level education and practical art, art. The function of art In addition to others don't pay much attention to the aspects, such as about practical outstanding, the function of art and ideas. |
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