The Research On The Narrative Grammer Of China's TV Documentary

Life can not turn around, and makes memory so tenacious,this is the charm of life ,and also the spirit source of the TV documentary.TV documentary is the true record of life, and its unique charm attracted a large number of fans to follow since its birth.China's TV documentary has gone through 50 years and experienced a golden period of the last decade,and is currently in an era of unprecedented prosperity, in which there are many issues worthy of study and discussion.Making TV documentary as a type of narrative, drawing on narrative theory to study, has gradually been accepted by academia and industry and has promoted the development of the narrative of TV documentary.However, numerous researches on the narrative of TV documentary concentrated on the narrative feature, narrative perspective, narrative strategies in TV documentary, and is based on viewing and evaluation of emotional since it's limited to the artist's experience level.Therefore, the author will use the classical relevant principles of the narrative point of view, that is, the text of TV documentary story plot, character, environment, in what way, what kind of skills mix and learn from the classic Hollywood model, Pu Luopu Strauss polymer composite structure and the structure, analysis TV documentary story structure within the general construction law.Using the new perspective to study the narrative grammer of TV documentary, can not only help people understand the TV documentary from the structural sense, but also indirectly, provides a theoretical guidance for the creator of the TV documentary.This paper provides a more comprehensive analysis on the narrative grammer of Chinese TV documentary, after referring to a large number of documents, watching excellent TV documentary based on the work and using case studies and other methods.In the introduction, the source of the subject, the Chinese TV documentary and narrative research status, purpose, significance, innovation and methods are outlined.Chapter two section highlights a TV documentary and narrative grammar, including TV documentaries, the first part of the definition, the development of Chinese TV documentary and analysis of the TV documentary is a narrative art, the second part includs narrative, narrative grammar,narrative grammar of TV documentary content.The second chapter of the TV documentary, the story structure, plot and plot the type of organizing principle.The third chapter analyzes the role of TV documentaries and the difference between the story characters, and the role of mode of action theory.Chapter IV presents the story of a TV documentary, the composition of the environment.The final chapter starting from the overall story structure, theoretical model through the three story structure of a TV documentary framework of rules.