Splendid: Bronze Art Aesthetic Qualities Of The Three Generations

The summer Shangzhou bronzeware is in the Chinese history of art the most representative art remains, three generation of bronze civilizations are our country Bronze Age important development times. Its utensil manufacture is exquisite, the different models, the decorative design in a utensil are bountiful, depend in the bronze material the decorative design in a utensil and the engraved inscription, described Xia Shang for the posterity on W-ednesday the generation of person's real life, has manifested three generation of cultures and the thought that has the high artistic value and the historical data value. Three genera-tion of bronzewares dignified sincere, the lofty sublime esthetic emotion has represented China ancient times the bronze art overall artistic style, was our country ancient times the civilized symbol; Is Chinese nation broad and profound culture connotation and national spirit manifestation. Its modelling is vivid, line succinct simple and honorable, the spatial processing is unique, has the unique energetic connotation and the form meant, is the Chinese history of art important component. Three generation of bronze art decorative design in a utensil and the modelling characteristic had decided its cultural connotation's particularity, looking from the functionality angle, is one kind of non-text resources, has one kind "magnificently grand" esthetic special characteristic characteristic.The first chapter mainly from the productive forces development and ideological concept's impetus, "the regulator still looked like" the divine creative force principle as well as the bronze material discovery and the craft progress three big aspects examines analyzes three generation of bronze ornamental mold the background, simultaneously elaborated three generation of bronze ornamental mold characteristic formation reason briefly. And unifies the modelling design theory, understood its structure and the modelling symbolic significance according to the regulator Shang Xiang divine creative force principle to three generation of bronze ornamental mold's impact analysis. By further discusses it manifests "magnificently in the modelling function sublime" the function and the significance. Three generation of bronze utensil creator for the express thoughts, breaks the space and time limit, a groundbreaking creation multi-dimensional modelling world. Not only its in two-dimensional space plane modelling, also has certain stereoscopic effect and the sense of space.The second chapter from three generation of bronzeware decorative design in a utensil image function's evolution, the main decoration dermatoglyphic pattern as well as three generation of bronze decorative design in a utensil's intrinsic implication and three sections elaborates three generation of bronze decorative design in a utensil esthetic characteristic. The bronze utensil image's readability, visual intuitive as well as the performance dynamic, has promulgated three generation of bronze art "magnificently grand" the characterisitic. Carries on the decorative design in a utensil and the modelling culture angle research and the analysis in the cultural diversity time to three generation of bronze civilizations, searches analyzes its modelling motive, the thought as well as the design performance skill, is advantageous in combs three generation of bronze civilizations the artistic vein, to un-earths three generation of bronze art vision modelling the esthetic source, understood thoroughly three generation of bronze modelling view and the cultural perspective have the vital significance. In three generation of bronze decorative designs in a utensil the animal mask grain, Long Wen and the phoenix bird grain, the character grain and so on take real life's in image as a script, carries on the drawing artistic form processing and the processing, has the massive appearances in three generation of bronzewares. Three generation of bronzewares take do not reappear objectively as the creation goals, but decides the statuary take the subjective performance as goal it, by expresses feelings likely, changes into a body the absolute space and Italy space, is image performance which and merges into one organic whole abstractly the embodiment.The third chapter, has discussed three generation of bronze art "magnificently sublime" esthetic special characteristic. The first section elaborated three generation of bronze sacrificial vessels transmit the etiquette thought that analyzes it to communicate the world the function and the function. Deduced China ancient times the etiquette fine arts development vein and the symbolic characteristic, has proven three generation of bronze art "magnificently grand" the beauty, The second section mainly from the Chinese classical esthetics aspect explained research magnificent grand US this concept the origin, as well as three generation of bronze civilizations manifest magnificent grand beauty. In the Chinese classical esthetics contained "is exquisite and is sublime" is just the supple thought evolved by "the masculine and feminine elements theory" with the Chinese nation to the universe day comes. In the Chinese classical esthetics's system, belongs to the sublime image to display grandly, pulls out healthily, moreover is such magnificence, gorgeous eye-catching, Is one kind grand, magnificent, the majestic beauty. In region of art's category, magnificent grand manifests one kind of boundless imposing manner, vigorous strength. But in Chinese nation's history of civilization, "the bronze civilization" is in our country history of civilization peak. That strange and dignified modelling, mystical and exquisite decorative design in a utensil, makes everybody to exclaim. Its unique energetic connotation and the form meant has shown "magnificently powerfully grand" lofty beauty.For three generations of bronze civilization, it should be integrated into a large ancient Chinese ritual art environment for analysis. Expression of the Shang and Zhou bronze civilization of three generations three generations of the concept of life and ritual, passed its " splendid," the aesthetic function. Through research we can find three generations of bronze shape, decoration and art in the form of feature Imagery. In the external form of representation as a natural form but from the illusion of a subject, to imagine the color characteristics; in the configuration process, the performance of both the super-posed in the sense of free-form but also by restricting the activities of significant features; in aesthetic morphology, although the performance of symbolic decoration style has its own aesthetic and other types of quality but has some connection; its inner meaning of the symbol, not a pure aesthetic emotion, which contains the characteristics of three generations of knowledge of cosmology, and a large number of practical utilitarian values.There is no doubt that China Shang and Zhou bronze aesthetic qualities of art is created in the course of its long form.