Modern Chinese Painting Freehand Spirit I See

Study of Chinese Painting is interested in domestic and foreign researchers an area of current research has yielded fruitful results. Can be divided into three main research directions:a; value of the Chinese Painting Research.Ⅱ; of Chinese Painting in the spirit of the literati.Ⅲ; for Chinese Painting Prospects for the Development.Oil painting as an important form of Western painting, after entering the local Chinese, there will be some sense of Chinese culture bearer. The one hand, China's artists to learn from Western modern art, while the other is on the local traditional culture, re-recognition process. Therefore, the painting in China alone the performance of many new attempts, for example, Chinese oil paintings have the tendency of the pursuit of decent performance, it is not only acceptable form of expression in the paintings of Western painting, but also reflects the expectations of the new era of painting, with the spirit of traditional Chinese literary painting tradition needs of the times. Which traditional literati painting and the aesthetic experience of freehand painting techniques of contemporary painting of the most obvious, Chinese Painting at work painting the original art of language and expression at the same time, integration of China and the Spirit and the words charm.This article is divided into three chapters, the first chapter to explore the contemporary Chinese oil painting and the Spirit, how to learn Chinese painting from the painting, freehand concept, particularly Chinese contemporary oil painting freehand initial successful experience of traditional Chinese painting, Western painting, freehand concept. The second chapter discusses the process of localization of Chinese oil painting, painting the product of Western culture, after entering the local Chinese, and how the process of changing times to give the traditional spirit of Chinese culture. Chapter representatives on Chinese Painting Wu Guanzhong, achievements, demonstration freehand painting the spirit of the source language features.