The Deviation Of Representation In The Narrative Of Countrymen Entering City

French farmers, as Marx's analysis:"They can not express himself; they must be expressed to others." Fate of Chinese farmers is also true, in this "expression/the expression" relationship, the farmers is a presence, but also is absent, the short is absent presence who.Therefore, farmers' value, utility, power and so-called real and objective nature is little dependence of farmers can not effectively rely on its own, and only the help of the narrator's various policy statements, the farmers can exist in the discourse. among the visible, sensible. Through the analysis of these strategies in such a peasant's voice a chance to be a serious neglect or even denial of the context, people still want to strongly touch to their rich, complex, three-dimensional, multi-quality exist, if literary expression of such deviation or distortion exists to expect that it can tell new stories, the conclusion of a new relationship, describing the new resistance, explain the new subjectivity. In the city the image of narrative statements of the farmers, there is a tendency to demonize the creation of farmers, women's representation on the city, full of desire for consumer age, the underlying representation of youth of agricultural origin, they are often treated as in the attached figure, but ignore the three-dimensional character of the object; experience for the city's presentation, focused on the suffering of narrative, tender writing, on such topics as urban and rural areas of conflict, described some of its intellectual conscience uphold the performance of face reality, there The elements which have interpretation of the concept; literary creation should be the impact of other social elements, if literary criticism and film production, for example, can see the expression on the farmers, the farmers that side, it is still not there presence.