A Probe Into Several Questions About The Generation And Development Of Shangdang Bangzi

Chinese Opera was often called "qiang" before the middle of Qing dynasty, and concept of "genre of drama" later appeared gradually. It can be known from Chinese Opera Music Integration that most of drama types are mixed together by 'Kun','Yi','Bang','Huang'and more regional vocal cavites and minor key. Although these vocal cavites existed nationwide have more features of regional cultrue, great consistency has been remained in list of operas and Qupai. In this paper, "XiaoSi" plays a role of official operas which carried in Music Record Cadastral in higher Official Department, with the ban of Music Record Cadastral and the changing of living ways, bureaucratic tone, in various regions, experienced a process of tansforming, mingling and precipitating to provincialism, and then placing an emphasis on regionalization development.'Luantan' is title generated in the entanglements period of various aria minglement and transformation. Regional richness across the country has been resulted by this process.In different periods of Qing and Ming dynasty, ShangDang opera has five main aria such as'Kun','Bang','Huang','Luo','Juan', each aria has it's own opera list and appears in different sprits, but only cavity of'Bang' and'Huang' existed. As the center spread region of ShangDang opera, Districts of Lu and Ze had been located many Prince residences and Highest-level goverments from the earlier times, pessess profound music cultural heritage. The above mentioned aria developed in Ming and Qing dynasty foster fixed masses, which is different from locations lower-level goverments live in. So, though operas development in peripheral region may have an effect on it, aesthetic standard of saudience group needs a gradual process. It's just the reason why there were five aria at the same time and for each one had it's own play list when'Bangzi'was called more than other operas in perimeter regions at the beginning of the 20th century. This is the so-called meaning of'ShangDang GongDiao'. At the second half of the 20th century, As public independently choice, some lists of play which carried aria were softened, and others were strengthened, since then, ShangDang opera has got the real contaition called ShangDang Bangzi.In this paper, deep culture sediment and traditional music culture remains in ShangDang area have been combed and ShangDang Bangzi has been discussed with respect to play list. Qupai, and aria, and also puts forward some noteworthy phenomenon exist in reseach on ShangDang Bangzi;Analyzing the process of most vocal cavities have become public from official because of the broaden inferior sacrifices and change of being way in previous music record after music record system banned, and forming process of more regional characteristics under the influence of local culture and dialect; grasping the forming process of regional genre of drama, evolution process of ShangDang opera from multi-vocal-vavity of QuPai coexists with BanQiang to BangZi series centered ontology, and transforming process from official cavity to public vavity, with an eye to explore regular significance of development of chinese opera under the influence after music record system has been banned.