Present North Flower-and-Bird Painting Inheritance And Development Research

Reviewing the history of Chinese painting, Flower-and-bird Painting was painted in different characteristics and styles, and they had different spirit connotation in different times, from formative period of the Flower-and-bird Painting to these days. The people of Tang Dynasty made The Flower-and-bird Painting being an independent painting subject. In the Five Dynasties painter Xu Xi and Huang Quan created a distinct painting style respectively, which had been set up a foundation of the Imperial Painting academy style and literati abbreviated style in the Song Dynasty. In the Yuan Dynasty, Zhao Menfu who was a representative of the artists that opposed the carefully and cautious painting style and brush-ink game attitude of literatus in the Song dynasty, put forward "restore ancient ways". In fact, the real meaning of "restore ancient ways" is to create new aspects and spirit connotation. During Ming and Qing Dynasties, the Flower and-bird Painting styles turned to be in diversity. One of them, the abbreviated style was more prevalent. In late Qing Dynasty, Haishang, Lingnan and many other schools had transformed the flower-and-bird work into modern styles by inheriting the traditional and referencing the western painting.In recent years, on behalf of the "Northern Flower-and-bird Painting faction", Gao Huimin'art work, which based on the inheritance of excellent Chinese painting tradition and was full of innovation and enterprise, occurred in the northern area, specializing themes on northern mountain flowers, wild birds and beasts, showing the vitality of north natural and optimistic spirit of north people. Gao Huimin had founded a new field of Chinese painting expression and had produced important influence on China painting realm.The formation and development of"North flower-and-bird Painting faction"come into an amazing cultural phenomenon in contemporary fine arts and it is a great event of historic significance. Therefore, this article will discuss the formation of"North Flower-and-bird Painting faction"founded by Mr. Gao Huimin, and research a series questions the inheritance and development of north Flower-and-bird Painting etc., in the background of the Chinese Flower-and-bird Painting history as well as in the north natural geographical and cultural environments. To research this culture phenomenon of North Flower-and-bird Painting on the background of the Chinese Flower-and-bird Painting history, the general regulation to inherit and develop Chinese flower-and-bird painting is discovered, which is Acquiring the technique while improving mental state at the same time. Plunging into the thick of life, and gaining the mind's creative power from nature source.Studying after ancient artists, especially to find their mind and spirit and to observe their painting figure.Catching up with the time, and developing innovation continually.As an important part of the Chinese flower-and-bird painting development arrangement, the inheritance and development of the North Flower-and-bird Painting must follow these general rules at first.However, the process of the formation and development of the North Flower-and-bird Painting's is also in a unique way. The research regarding the North Flower-and-bird Painting's pathfinder Mr. Gao Huimin and the natural environment and society environment of North Flower-and-bird Painting, will be helpful for us to find the special rules that are to inherit and develop the North Flower-and-bird Painting. These special rules mainly contain:To excavate the natural spirit of North Flower-and-birdTo Experience humanities spiritual maintained in North Flower-and-birdTo create the brush-ink structure of North Flower-and-bird paintingTo carry forward the enjoyable spirit of North Flower-and-birdThese rules are the core arguments which this article elaborates. The initial exploration and research on these rules will be helpful in the study, inheritance, innovation and development of the North Flower-and-bird Paintings.