New Chinese Women Transformation Of Female Consciousness In The Film

New film originated in the late 20th century, 70. As creators of the awakening of consciousness and publicity, both in creating new era concept of the film, or in the narrative means or the use of film language, and have reflected on and break away from traditional film, especially the many women who have taken reflect the production female subjects, the interpretation of the role of women, of female activities, emphasizing the feminist consciousness of women film, bold female narrative discourse and counter the traditional male narrative discourse. Although the number of historical and practical factors, makes women the film running away, breaking the control of male discourse, often without realizing it, he also was manipulated by patriarchal discourse, and ultimately have rendered as "escape the arrest" (Dai Jin Chinese), but their efforts to make the female narrative in the film, after all, made a certain degree with the traditional male narrative voice communication and interaction. Since then, the Chinese film started the break from traditional to modern and beyond, showing a new historical writing.In this paper, as the research object of Female Film, start from the emotional point of view, the perspective of women in the film in several critical period transformation of female consciousness, and through the two most representative of the film "people ? Ghost ? Emotions" and "a strange woman's letter "to the specific interpretation of the performance of women in the way of emotional films. New understanding of women in the film, while in turn the development of women in film in the context of China to do front-line in order, show the development of Female film context. Meanwhile, on Chinese women in the film's future development prospect, I hope the film can be a real breakthrough in male female discourse space, out of the shackles of patriarchy, women in film to create a better tomorrow.