Under The Influence Of Confucianism In Ming Woodblock Prints Copy

The Ming dynasty woodcut printmaking by the influence of the development of neo-confucianism in seems on the surface to be not close, unlike Confucianism of under the influence of traditional Chinese painting being so direct, compared with the traditional Chinese painting neo-confucianism brings to copy the influence of woodcut printmaking is indirect, often is the neo-confucianism influence the society fashion at that time, again by social prevailing in the role of woodcut printmaking, this is mainly due to the nature of their own printmaking. In the Ming dynasty Confucianism for the development of the influence of the Ming dynasty woodcut printmaking comes not from the print their own content and the scope of application, the special mention here is the late Ming dynasty scholar class participation woodcut printmaking creation. From the study, we can get the answer why Chinese engraving in the long historical period has been extended walk road of the print copy but didn't really up to create level. The question may seem root in literati class itself in the woodcut printmaking is not complete. Essence contributing to this problem is the root cause of eastern and western culture itself is difference.This article from the introduction, the text, and the three major components. In the introduction of the first of Ming woodcut printmaking background of times development brief statement, introduces the research purpose, method, significance and innovations. In the text of the Ming dynasty in the main selection before, in the middle and late period of three neo-confucianism in the development of the representative of related ideas and at that time, contact the social background and printmaking on this development process system. Finally in the conclusion summarized the neo-confucianism in Ming dynasty to print affected the development of today and engraving for inspiration.