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The Relationship Between Film And Social Life In Modern Shanghai(1927-1937)

Posted on:2012-10-09Degree:MasterType:Thesis
Country:ChinaCandidate:X J WangFull Text:PDF
GTID:2215330362961922Subject:China's modern history
Abstract/Summary:PDF Full Text Request
In the process of modernization in modern Shanghai,1920s-1930s is the mostoutstanding period of modernity in Shanghai social life. Movies , as an aspect ofmodernity, have close ties to the changes of the times and the changes of social life.1927-1937, Shanghai society is the sharp transformation period, social upheaval of thecareer development for the movie has produced important influence. Therefore, this text,from the perspective of social life with film as window, mainly research Shanghai filmfrom 19271937and the relationship between social life. Full text mainly divided intothree chapters.The first chapter basically introduces the 1920s - 1930s Shanghai film developmentmannagemant. This article first expounds the modern Shanghai film industry. and movieproduction development course, on this basis, continue to discussion and analysis1927-1937 film product yield, finally, in the development and comprehensive situationbased on movie content change, the article will 1927-1937 Shanghai movie is dividedinto two stages, thus discusses the development of all phases movies with socialchanging times characteristic, the contact and analyzes the reasons.The second chapter basically research is the social life image world, mainlydiscusses the influence of social life to film and film to the social life reflection. First,Chinese early films between Chinese and western culture by the interaction of a cozy;Secondly, the Shanghai by 20-30 the influence of social upheaval, the film has alsoundergone a big change and embarked on the road of realism. This article mainlyselected the rural bankruptcy and superstition, social life, labor contradiction underlyingcharacter, analyzes the social reality of movies and these social reality relations; At last,from early filmmaker groups of several representative figure, expounds the starting earlyfilmmaker artistic creation and value pursuit.The third chapter mainly discusses the social life of the movie, with emphasis onmovie to the influence of social life level. This article first understanding, the lead from the parties ways and social repercussions in the aspects of social life movie guideenlightenment and; The next movie audience was studied with the relationship betweenthe classification, mainly from the cinema with the audience identity, income andaudience two aspects, and analysis; Finally, by starting from knowledge groups,represented by lu xun, expounds the lu xun's rich life and his movie recognition andevaluation of movies.
Keywords/Search Tags:modern Shanghai, social life, movie, relationship
PDF Full Text Request
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