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Among The Wisdom-Traditional Chinese Painting The Beauty Of Artistic Conception Explored

Posted on:2012-01-13Degree:MasterType:Thesis
Country:ChinaCandidate:Q H ChenFull Text:PDF
GTID:2215330368480034Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The beauty of artistic conception of Chinese traditional aesthetics is the most important theory in the aesthetic category of traditional Chinese painting, but also the most rich aesthetic standards national characteristics, is really the essence of traditional Chinese select objective things, blend in its aesthetic ideals and aesthetic temperament and interest, and USES artistic technique created a state, a "form" and "god" and "virtual" and "real", "move" and "static", "a" and "nothing" harmony, is also real and ideal clever conjunction.With the development of The Times, how can demonstrate its unique Chinese painting in the beauty of artistic conception glamour, continues to future global cultural ecology occupies a place, is contemporary many scholars have been one of the subject research. This paper tries to traditional Chinese paintings contain profound cultural connotation, the wisdom of meditation, Chinese paintings of digging the beauty of artistic conception, refined, integration and paraphrase, making Chinese paintings artistic conception to link nature of beauty features for development can inherit traditional Chinese painting art use.In this line of thinking under, this topic is divided into six parts.In part, this paper expounds in painting the beauty of artistic conception inquiry purpose and meaning.In the first chapter, from artistic style and magnet, in the territory of "three far' in three aspects such as Chinese paintings " artistic conception aesthetic connotation" a concrete analysis and explained. In the second chapter, from the reality to virtual borders, from virtual borders to reality and void-solid combination of expression, black and white and blending of creation and so on four Angle ethereal, painting the beauty of artistic conception is based on unity of void-solid combination viewpoints of three-dimensional analysis.In the third chapter, born from outside, as throughout; blending Borrow scene lyrical, and strengthen the main; Meaning, to express their first put pen to aspects of the beauty of artistic conception of Chinese painting, on the basis of subject-object unity is the viewpoint that the blending the aspects of all.In the fourth chapter, from "charm" -artistic conception, ink color beautiful life throughout the verve, word-Chinese paintings artistic conception three aspects of spiritual direction of beauty, beauty of artistic conception is elaborate Chinese painting art based on word of the infinite charm fit the conclusion.Epilogue parts, in the previous chapter summary of conclusion, the traditional Chinese painting art create eventually embodies the unity of nature and the universe life and naturally operation rule, "nature and humanity" is the ideal of life and art ideal. Contemporary traditional Chinese should also be brave and diligently to explore and create beautiful artistic conception. So that traditional Chinese painting toward a bright future.This topic, comparative literature research methods of synthesis and interviews with scientific, objective dialectical attitude launched research.
Keywords/Search Tags:Artistic conception, Nature and humanity, Void-solid combination, Subject-object unification, Blending, Tao art fit
PDF Full Text Request
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