Exploration Of Modern Techniques Of China Piano Music Works Since Reform And Opening

As a worldwide instrument, piano has already walked into the creation of China music. The study of piano music technology can represent the main aspects of composing techniques. Nowadays, the world is in integrated development, modern composing technique and its multicolored colors represent multicultural characteristics. Based on the two premises, the paper analyzed the modern techniques about China piano music works, the works which were involved in were since the reform and opening in China. The article was divided into two main parts; one for the analysis was the western modern composing techniques in China piano music works, the second was the analysis about the Chinese composer's self-created system of the modern composing techniques. Article is divided into three sections.The first chapter, reviewed the project parts, including the purpose, research contents, research methods and expected results, etcThe second chapter investigated the western modern composing technique of the twentieth century in China piano music works. Including new ways of organizing pitch materials, new harmonic structure mode, unconventional rhythm beats, expansion of music tonal mode and non-traditional music structure, usage of modern polyphonic. The detailed analysis is about front four aspects of the content. The first one is twelve-tone techniques. Due to their atypical characteristics in modern techniques, there are only brief analysis about music structure and polyphonic.Chapter 3 analyzes the self-created theoretical system of China composer. Two representative composers are selected, Xiao-sheng Zhao and Wei-jie Gao and their theories. Also analyzes the formalism piano works of Zhi-min Peng:< Bagatelle>. Some other innovative techniques are introduced simply in the fourth-quarter of this part.In the process of writing the paper, the author collected a lot of material, and carry on the detailed analysis. During the process, the author got a deep feeling, that the subject was very important, and also found that this subject is in a lack of systematism, neither in education, or in piano playing Modernity and nationality are all important, not only for we establish "Chinese piano music factions", but also for the way that our Chinese music creation can be recognized in worldwide area. Hope this writing could do something for the goal.