Theory Liu WenJin Erhu Works Of Inheritance And Innovation

Erhu this national musical instrument is established from the structure of the Tang Dynasty, although had already gone through the development in the past one thousand years, but never there has been one's own brilliant period for development like plucked instruments such as the Pipa,etc., until Liu Tianhua was regarded erhu as the musical instrument of a solo to introduce to the music palace of the institution of higher learning, no matter from music composition, or has played different fields such as technology,etc. and got enormous development, this has just turned on the whole new page of artistic development of erhu music. 10 erhus soloes and 47 etudes which Liu Tianhua creates, have changed the development orbit of this string instrument of the erhu fundamentally, a science, normal development path on its neck. Moreover, enter the classroom of the institution of higher learning of higher music as a professional course, have stored a large number of, outstanding specialized personnel for the passing on of the erhu music too, have guaranteed the development of the erhu with long and steady music. Therefore, Liu Tianhua winning one's spurs with toilsome labor and distinctive merits on the road of music development of the erhu.It's a great pity, Liu Tianhua dies in youth, but his creation is that the erhu music creator in the future has established the good practice foundation. In this thesis, what I want to expound the fact is praised as and continue "the most representative composer since Liu Tianhua" by the circle of folk musicLiu Wenjin was born in 1937, the initial stage happening to be music composition of the erhu, so, his growth is just following the rudiment of music composition of the erhu with moving to maturity. Therefore, in his erhu works, we can already experience that create the inheriting of the idea to a generation of the first erhu music creators, there are eyes of original innovation which a professional composer considers and incorporates from the omni-directional view. This text wants as the example in several typical erhu works created stage of different life with Liu Wenjin, from the style of creating of Liu Wenjin's erhu works and characteristic of the time, analyze passing on and innovation in Liu Wenjin's erhu works from the structural respect of the musical form, probe into passing on and innovation in Liu Wenjin's erhu works from the technology of playing, Liu Wenjin erhu passing on and innovate four chapter it comes to be comparatively deepen and systematic analysis erhu music composition of him to two to erhu influence of music composition of works Moustache artistic meaning of development, to play Liu Wenjin erhu work of Mr. establish certain theoretical foundation, hope to play a positive role to the development of erhu discipline at the same time.