Fable Of The Tibetan And Characteristics Of The Emergence And Development Of

As said, any works of a literary creation and production has its specific historical background and social status of the initiation of breeding. Nineteenth century, the creation of the Tibetan novel takes a new change, there have been a number of animal fables such as the hero of the short story. It reflects the writer of this period the Tibetan new concept in the pursuit of the aesthetic 'This paper on the formation of the Tibetan Fable and text for a preliminary study, so that academics have a Tibetan Fable general understanding and awareness. Tibetan traditional literature on Fable formation of the development of literary inheritance. The rise of the Tibetan Fable, not accidental, but rather on the basis of the traditional literary form. From the literature study, as early as in the Dunhuang Tibetan documents, first appeared in the Tibetan mythical animal fable. This is the story of ancient folklore, the "good end of the era, horses, and yak's tragedy." Horses and horse story down to earth, have added their children, not enough plants. One day when the eldest brother, Ji Yi, and wild yak strong meet, due to competition accounted for the grass, meaning Kyrgyzstan killed when the intensity is yak. After killing his brother in turn yak, back pastures. The moral of this story is very profound. It specifically with the animals instead of people in the grass wins in the post-death homicide, a profound reflection of the ancient Tibetan community because of the paucity of material and production will start to life and death struggle. In this paper I have to Tibetan Literature and art of the practical and unique view of Tibetan based on other peoples right to choose the advanced literary theory, with three major sections to illustrate the generation of Tibetan literary allegory and its characteristics. First, carefully explores the "one hundred (Fables)" - the origin of the term. Allegory as a separate faction of the literary genre, the first from the myth of the same, by separating out. Through the parable of the concepts and components, as well as the linkages among components in areas such as analysis, not only a more detailed exposition of Tibetan culture in the 'one hundred (Fable)' and the Han culture in the "Fable" In fact the same as a means, but also discusses how literature is what kind of fable literature, what genre. At the same time to derive from a deeper level of Tibetan culture, saying the "benzene (Bon) Chung (mythology) riddle (riddle) three retaining power" in the "myth" and "Fable," the close ties between.