The Research Of The Psychological Value Of Scholar And The Transition Of The Han Fu's Creation In Late Han Dynasty

The first chapter of this thesis points out the psychological value of the Han Dynasty. This chapter proposes a national identity and self identity and conduct a interpretation of the transition from the national identity to self identity, which is based on the close reading and integrated conclusion of historical literature. This chapter proposes that the national identity and self identity are the common psychological value of the class of scholar in certain historical period.The second chapter is about the characteristics of granular Fu under the influence of psychological value of scholars in the Han Dynasty. This chapter explores the influence of the scholars in Han Dynasty over the granular Fu from the perspective of"Meici"and the outlook of Fu. Then it discusses the characteristics of Fu under the sense of national identity.The third chapter discuss the literature practice which is promoted the transition of Han Fu's creation and under the influence of the transition of the scholars'psychology in Han dynasty. The change of Zhang Heng's psychology has promoted his creation, he was the beginning of Ha Fu's self realization. At the same time, Cai Yong and Zhao Yi's creation were also influenced the transition of Han Fu.In Chapter Four, it mainly views the value of beauty under the change of psychological value. This chapter is divided into four parts. The first part explores the outlook of literature and the change about the function of literature which actually is about the self realization of Han Fu under the influence of scholar's psychological value. The second part discusses the variation of the topic of Han Fu and the variation of the topic can be categorized into the topic of criticism and escaping from reality, praise over the objects, sex, pessimistic attitude, seclusion. The third part deals with the change about institutes of Han Fu, especially for the length and the organization. The fourth part deals with the change about the language and style, mainly from the popularity of lyrical Fu and the emotional elements of Han Fu.