Performance Practices Of Nationalization In The Dvorak's Music Pieces

Antonin·Leopold-Dvorak is a renowned Czech composer, conductor and music educator, he inherited the father of the Czech national music school ---- the road for creation of Smetana nationalism, skillfully integrated the national sentiment with rich epochal character into the music piece, left a deep impression to the world, made extremely important contributions for the development of national music in the world.In this paper, performance practices of nationalization in the Dvorak's music piece were taken as study object for analysis. First, the author based on previous research, gave a detailed analysis of three basic conditions for forming Dvorak performance practices of nationalization, which are, the influence of Czech social and historical background, the promotion of music creative atmosphere of European national music school, facilitation of personal music creative thinking. Then, the author, take "The Violin Concerto in A Minor" for example, a music piece with a strong ethnic flavor, starting from the melody, rhythm, harmony, three most prominent music element of national characteristics in Dvorak's music piece, to discuss performance practices of nationalization used in his music pieces.This paper adapted exemplification, citing, inductive analysis, integrated assessment methods and other methods to make preliminary study about this subject, and further enrich the study about music pieces of Dvorak, and provided a theoretical reference for the music lovers engaged in analysis and playing Dvorak's music pieces.