Real And Virtual Environment

It was to establish a model form of landscape painting period in Five Dynasties and the Song Dynasties .This period not only completed the form on the landscape, mountain range of schema mode to create the classic paradigm of water, but also from all angles, in theory, establish a scale. Among them, the landscape the way for the screen space to deal concluded in this period and further improved. This article focuses on Guo Xi's "three distances theory" and Han Zhuo's "three distances on the" comparative analysis studies to illustrate the performance of traditional Chinese landscape space in his theory is "far away" theory, the real figure is caused by the Southern Song Dynasty landscape painting an important type of conversion. Guo Xi's "three distances", said that "lofty", "profound", "Ping Yuan," tentatively called "three far", while later in contemporary Korean humble "is far wider," "fans far" "You Yuan," "three distances" that can be called "the last three away." It should be said "the first three far" made and "far after the three" supplementary performance is not only the addition of landscape spatial relationships, but the pursuit of landscape painting on the visual schema conversion performance. This performance, both from the real environment to the virtual landscape structure throughout the transition structure, but also to the mental image from the video conversion. Five Dynasties and Song Dynasty landscape painting and the visual perception of space that overlap Mixture miscellaneous aesthetic psychology reflected the "strong male beauty" and "Silence beautiful" trend, not only created this era of "schema" of the spatial characteristics, and a direct impact on Chinese landscape painting was the evolution of the space schema. Is a summary of the history painter tireless efforts to obtain the brainchild of the development of Chinese landscape painting.