| Wang Zeng-qi is an excellent and especial author who works ran through the whole modern chinese literature.The aim of this dissertation is to sum up totally his works from the content to the form, and focuses on three special periods peculiarly.At the same time,it tries to excavate the substance and the significance in his works in oder to complete the technical disquisition of Wang Zeng-qi for the moment.The first part of the dissertation covers the works which was written by Wang Zeng-qi in 1940s.On the one hand,this paper tries to tell why and what are the differences between early and late works from mood and style of writing. It also tries to point out the value of these works which are different from the famous "classic Wang Zeng-qi". On the other hand,it finds the correlation of the early and late works to parse the reason and character of these works.The second part of the dissertation discusses his "the Great Cultural Revolution opus".It contains the voluntary works which were written from 1949 to 1976, and the ones which were written about "the memory of the Great Cultural Revolution".This part strives to figure out the causation, particularity, background and influence of these works.The third part of the dissertation expounds the fastigium of Wang Zeng-qi's invention after 1980s. Through analysing his works of these days, this paper emphasize that the subjects are not only harmonious but also pensive, profound and sharp; the structures are not only lax optional but also rich in plot settings;the languages are not only concise but also excellent and elegant.In a word, this dissertation attempts to probe the features, innova- tions and backgrounds of Wang Zeng-qi's works in each stage, and finds out the "customary" and "transmutation" of these works in his whole life. |