Marcuse Thought The Aesthetic Dimension

As a representative of Western Marxism's most influentialfigures,Hebote·maerkusai had a profound effect on the Frankfurt School and the latergenerations. He developed his own unique system through a combination ofpsychological theories of Freud and Marx's theory of social criticism. The importantcomponent of this theory is to explore problems of modern social reality. Marcuse'sfocus on people eventually settled in his aesthetic concern, and his theory of aestheticsfound roots at "art form". This article is an in-depth study and research from the start ofhis men on the aesthetic dimension of his conduct and a series of in-depth discussion ofhis real-life situation, economic life and no conflict between the utilitarian aesthetic andartistic discipline problems.The full text is divided into three parts: Chapter One is mainly on Marcuse'shumanism, ideological and social background of the formation of the theoreticalpremise and overview of Marcuse's humanism and specific connotations. Chapter Twois to imagine that a link humanistic and aesthetic double dig the concept of dimensionso as to reveal the characteristics of art forms and artistic discipline, and to make acomprehensive analysis and exposition on Marcuse's theory of art and its theory andhistorical sources. Chapter Three is a discussion on Marcuse's theoretical value andpractical significance of his aesthetics.Today, Marcuse's overall critique from the advanced Western industrial society andhis great idea about the artistic and aesthetic trend of human liberation still shows thegenius deeply dependents for human future destinies. I am deeply impressed by hisacademic conscience of a humanistic intellectual and rich sense of academic pursuits oflife.