New China Tibetan Theme Paintings

Tibetan theme of creative arts is the treasure of the history of Chinese painting has a unique color; is an important part of Chinese modern art. Tibetan areas in the colorful culture and customs, the original ecological life picture to attract a batch With the painter of the minority complex to go there. Since the1950s, the social changes of the snow-covered plateau, Tibetan improvement of living standards and mental outlook, in different periods of the painter's brush the most vivid, the most vivid performance and interpretation, the emergence of a large number of excellent works, emit great art charm.In the Tibetan nationality theme Chinese painting change rapidly development and widespread concern today, its degree is far more than at any time in the history. Therefore, for China's Tibetan Chinese paintings character creation and research, will enrich the Chinese fine arts history content and the connotation, the theoretical study of the in-depth development will also helps to promote the contemporary Chinese minority subject portrait's development and innovation. Here, it is necessary from the modern Chinese figure development history of macroscopical angle systematically combs new China the Tibetan nationality theme of the development of Chinese painting process, better in the inheritance and innovation. Contemporary" the Tibetan nationality theme " as the theme of Chinese figure painting works constantly new. Painter and theorist in the exposition of this subject the theories, ideas and artistic language also have to focus on. In the Tibetan nationality theme figure painting creation and research the history and the present situation in the foundation, this article tries to sort out the nineteen fifties until now the Tibetan nationality theme creation, to the Tibetan nationality theme Chinese painting's existence and development as a clue and causes, the first chapter of the Tibetan nationality theme Chinese painting development, with examples, analysis method in the painting style, content, technique is divided into:first, exploration, change three times; the second chapter summarized the new century the Tibetan nationality theme of Chinese painting creation present characteristics; the third chapter on the first two chapters of the Tibetan nationality theme of Chinese painting creation development and summarizes the current situation, analyse the problem that its exist; the fourth chapter combines his creation practice, discussion on how to make the Tibetan nationality theme Chinese painting creation positive and healthy development; the fifth chapter of the Tibetan nationality theme creation of Chinese painting in Contemporary Chinese art history value and effect are summarized, and the prospect of the development of space. Tibetan themes of Chinese painting creation research, not only for the minority subject figure painting is very necessary, also contributes to our understanding of this subject again through the theoretical characteristics, in order to achieve the artistic practice to theoretical guidance for practical role and significance.