| In the han dynasty culture to form a special position. Bearing the weeks before qin, after the sui and tang dynasties and, for two thousand years of China feudal society laid the foundations, surrounding states exile. Han culture is an outstanding representative of the Chinese culture, the han dynasty grave fresco culture is a unique art rich heritage. In our country, the special display shows the grave fresco art museum han professional has more than ten, which enjoy the privilege of this art form? The twentieth century5s, our country to the grave fresco, many from the perspective of history to the research, so, from the point of art, the analysis of the inquiry is weak a lot. As modelling of art works of the precious artistic value of the grave fresco research is needed, the use and the analysis. In that sense, this distance today about two thousand years history of the background of the fine arts, is two thousand years ago the most intuitive image performance, and only the form with MoXie record at the time of the social phenomenon. And other art forms are different from the han dynasty, all-embracing grave fresco can say, the vastness. As our country in the history of the exotic han grave fresco, experts were called it "before the dunhuang".Han dynasty political and cultural background of specific of han portraits of the value orientation exerted an important influence, the great and wonderful natural forces is han portrait art beauty conceived an important driving force. With a long history, splendid perfect like han grave fresco art important part. But this article is important, for this writing, through to the han culture grave fresco is going the traditional image image element analysis and research. First of all key to resolve the han Chinese like to use to do what is the source of dragon decoration, purpose, significance, and then explore the traditional dragon images in the han dynasty han the cultural implications of the grave fresco, shape aesthetic feeling, and the new century to the modern Chinese dragon image in thinking and modelling design and continue to spread.This paper discussed respectively from the five parts:The first part, is part of the introduction, this paper mainly expounds the research purposes and research significance, the research method and innovative points.The second part, starts with the brief introduction to the origin of the grave fresco in different areas of han. and the specific analysis of the grave fresco and nanyang han han grave fresco dragon image of the unique heritage and strange place.The third part, is a central part of this paper. Combined with different MuOu image of dragon the modelling of the form, the analysis of the dragon image form aesthetic feeling. This chapter is divided into six section, respectively is TangHe MuOu dragon images, FangCheng MuOu dragon images, deng county MuOu dragon images, WoLongOu MuOu dragon images, WanChengOu MuOu dragon image, nanyang city MuOu dragon image, display, and analysis of the various MuOu dragon image of the form of beauty.The fourth part, through to the modern art works of the image is going beautiful forms, the paper states that the traditional dragon image influence on the society and spread significance.The fifth part, this paper epilogue part, mainly is emphasized in the design of modern designer should pay attention to the combination of the traditional and the modern, the extension and development. |
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