| Grave fresco, brick immortality faith subjects, Chinese fine art historiography is an important component of the han dynasty to study art spirit. Chinese figure painting of the development and the development of China’s immortality faith subject has an important significance. Rich content of literary works about immortality faith, not only have the myths and legends of the basis for gods image, but also included in real life based creativity. It produces in Han dynasty special social background, show the han society all aspects of life. Because of the inheritance of chu culture, folk Augur Theology popularity of thought, Han dynastic Chinese pursue longevity, soft edges up fairy history background, make it embodies the "jing chu" romantic imagination, a large number of appeared up auspicious, flooding the epidemic disease, such as stars to ward off evil spirits ghosts-gods auspicious content works to show a Han dynastice Chinese immortality faith in all its aspects. And with the symbolic meaning, the deities animals the personification of the changes and the animals and the image personified modelling, the "human as the chief" gods of modeling embodied the han dynasty god from the previous unfathomable, high above the Lord and position to the earth and people down to become a patron saint of the characteristics of the faith. The different from the realistic themes and self-sustaining, reflects the art of han dynasty emotion, aesthetic ideal and religious beliefs view.In this paper, the author attempts to the point of view of fine arts by brick immortality faith grave fresco, theme of the background, content characteristics and modelling orientation of thorough research, highlights the han dynasty brick grave fresco art aesthetic tendencies of the subject matter, and connecting with the professional, and the analysis of the application in painting works, this paper discusses the art in the important role of modern art and the influence and inheritance. This paper is divided into four parts. The first part of main from the origin of immortality faith and grave fresco, the causes of brick of this, through the analysis of Han dynasty before and the characteristics of immortality faith and produced grave fresco brick, ideological, political, economic and other reasons, the paper discusses the grave fresco Han dynasty brick fairy the background of the subject matter. The second part of the analysis respectively from the theme, themes, visual effect three aspects to the analysis and comparison, the different culture, custom that make grave fresco, The third part is the focus of this article, discusses the immortality faith and the worship of the grave fresco, the reflection of brick. This article from the rose, a protection against evil spirits, miraculous moon and stars in three subjects to show a han Chinese immortality faith-from the aspects of the celestial body strange think of clever want, and immortality faith, worship contains good fortune, to ward off evil spirits, and to help protect the tomb of the MuZhu rise or implied meaning. And through the grave fresco, printed works on the subject in the analysis of the secretive no matter, immortal god beast, fairy, its modelling is drawn from the life, even higher than the modelling of life art regulation.The last part of as conclusion, the conclusion above, further extensions to modern fairy works on the subject analysis, rolled out further, the theme of the creation is holy immortal character secular, reality; And the secular people living schema in artist’s work deified conclusion. And through the analysis of the modelling techniques subject launch han dynasty brick modelling techniques for grave fresco not reproduce the objective for the purpose, but mainly craftsman artist subjective expression, purposive statue, drawn from the life, even higher than the art of living law and the pilot in the role of subjective feeling painting, traditional Chinese painting the formation of the image modelling with having the effect that cannot ignore. |
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