On The Emergence And Development Of Landscape Painting Techniques Mexican Coke

What's the reason of the transition of Chinese paintings from the colorful meticulous painting to later abandoned colored, little color painting held mainstream position, and then appeared the coke ink landscape painting, even a simple black and white, the ink and wash painting black and white exaggerated to the extreme, seems to return to the original state? Why is there such a situation? Investigate its reason is that due to the social habits, social culture, a "black" aesthetic culture is established among Chinese."Darker than any Mystery, The Doorway whence issued all Secret Essences" is said in the book named "Tao Te Ching" by Laozi. Tai-ji in Taoism is divided into Yin and Yang. Black and white appear alternately, and black in white, white with black. This is mysterious and prime. Mysterious is black while prime is white. Since ancient times the Han nationality have gotten the idea that black filled with awe, which contains that the black means deep, quiet and steady in the wider world, and also contains thinking and pursuing for ever. Black has been known as the king of color, color, and black and white can be make to two extreme color coordinate.The history of advocating black by Chinese is very long. The essence of the ancient Chinese philosophy and Chinese color aesthetic is condensed and penetrated in black. So, black occupies a very important position in the color and culture in China. Pure black gives people a kind of mysterious deep feeling. And ink paintings arise and develop, which is the thing the painters want to in a primitive and plain spirit system. Ink technique was established before the ink and wash painting appeared. Many paintings are based on single ink or ink sketch. Since Wang Wei founded the ink landscape painting, ink technique has been consummated step by step. Especially in the period of the Five Dynasties, the development of landscape painting has been highly matured, when was a fastigium of landscape painting. And these appeared a large number of outstanding landscape painter, such as Jinghao, Guantong, Dongyuan, Juran who are the representations. In their paintings, we can see, various techniques including ink method used is very mature.By reading literatures, the initiators of ink technique are Guoxi and Guosi who wrote the book named "LinQuanGaoZhi"."Transport the ink sometimes with thin ink, sometimes thick ink, sometimes dense black ink, sometimes Su Mo, sometimes Tui Mo, sometimes ChuZhongAiMo, and other times indigo miscellaneous ink." After that time, it maintained that ink was only used to wake effect, and seldom use simple ink to depict images in many literatures. However, in Qing Dynasty, Chengsui broke the traditional, and in his works he put the ink as the main text language to manage the picture, plus he got great skill of pen, made the painting primitive and sophisticated."Dry autumn, with spring run, only the dirt road", was said to value him by Huang Binhong. And the ink was listed as one of "the seven ink technique" by Huang, who also created a large number of painting used ink technique.The ink technique was used as a style to explore the modern painting by Zhang Ding. The thick, pure, generalization ability, and impact resistance characteristics of ink was put out by him. He created a large number of great momentum, classical landscape paintings, such as "JuMoZan","KunlunSong", and so on. Zhang Ding's kind of artistic pursuit also reflects aesthetic orientation that Chinese nation flourishingly development and positive spirit to pursue in this era, which also made Zhang Ding stands in the forefront of the times.There are many people hold different opinions about Zhang Ding's singly using the ink technique. Some say his making landscape painting simply, less artistic conception of Chinese painting, others say that landscape painting is about ink and wash, there would be no difference between landscape painting and charcoal drawing without water. But in my view, a kind of new situation exploration must be from scratch, to mature, and then became a style. During the period, there are a lot of discussions, but good. And what the artist could do is that listening to these observations, combining with their own research, further to explore. Mr. Zhang Ding has achieved this point, and he was not murmur around, work steadily step by step. His pursuit of art and the spirit of innovation is that we must learn.