Narrative Power In History Field

In the contemporary literary scene, A Lai is to be regarded as a "late bloomer"writer at the same time a unique writer. For the number of novels and dozens of shortstories published, he portrayed a Jiarong Tibetan, which is not only fascinating andbeautiful, but of story-ups and has a strong feeling of time depth. It also constitutesthe fiction epic of A Lai’s novel, nearly a hundred years’ development of the Tibetanareas concentrated in the novel can be described as forceful. By reading the text, thepaper argues that the power of narrative is an important component of A’s work ofnational history, and to exercise its power analysis as a tool can better interpret hisworks. In this paper, theme of A’s novel attributed to three aspects: history, humannature and culture. The main part of the paper is the in-depth text to explore thecomplex linkages of the three themes of power. In the analysis process, based on thecontemporary relevance of the Power Theory (such as Foucault’s Theory), we candivide power into the macro-power and micro-power in order to adapt to the differentpowers of narrative text. The conclusions reached in this article is: power not onlypromoted the development of history, but also left behind a lot of inner wounds, bothhuman nature and culture are developed or distorted in the field of power. Finally, wetry to put the power of narrative into the discussion of narrative form, and to think theway the powers of narrative convey from an aesthetic scope, in order to illustrate theaesthetics significance of power narrative in A’s novel.