On Spreading And Acceptance Of"Model Opera" Of "Cultural Revolution" Period

"Model Opera" is a political and cultural phenomenon emerged in "CulturalRevolution", the particular historical period. From the political perspective, with the helpof the mainstream media’s drive, authority ideology made "Model Opera" spread andpenetrate into all areas of life with the purpose of delivering the political ideologyradicalism, and formulate the acceptance miracle of "Mass Singing Model Opera" of thatperiod. From the cultural perspective, the spread of "Model Opera" was associated withintergenerations, identity, region, etc. as a lifestyle of integrity, and formulated diversifiedacceptance form.This thesis consists of introduction, body and conclusion. The introduction part liststhe significance of the study and literature review which reveals the overlook of thespread and acceptance phenomenon in studying "Model Opera" among academic circleat present. The body contains three chapters. The first chapter deals with the occurrenceof "Model Opera" including the background, creation, title sponsorship and conferring bythe mainstream art form. The second chapter expounds the spreading function of "ModelOpera" and explores pleiotropy of extensive spreading of "Model Opera" in the aspectsof politics, socialization, and life-orientation. The third chapter deals with the acceptanceform of "Model Opera", and analyzes the deep reasons why "Model Opera" could beuniversally accepted in "Cultural Revolution", the particular historical period in theaspects of era, diversity and complexity. The conclusion part makes objective andrational consideration of the internal drive of the spreading and acceptance of "ModelOpera" at present in light of its resurgence phenomenon in the new era, and points out that "Model Opera", as a historical phenomenon, is unable to shake off the convention ofthe economic laws in the current prosperity of commercial culture.