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The Historical Lack Of British Watercolor And Contemporary Consciousness Of China Watercolor

Posted on:2012-01-17Degree:MasterType:Thesis
Country:ChinaCandidate:Y ChouFull Text:PDF
GTID:2235330362962007Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The value of all human artistic existence were directed at the spirit of the aesthetic appeal.This paper focuses on the west before the nineteenth century,watercolor theoretical literature and practice problems,by applying the dialectical method of logical reasoning,in anthropology、history、culture、aesthetics of the research results as the support,in contrast watercolor itself,lack of analysis of the watercolor and why.At the same time reveal the Chinese watercolor,in the past 30 years to Huangtieshan、Liushouxiang presented under the impetus of such watercolor look,analysis of the Chinese watercolor has become independent self.Expectations for the watercolor art of a more scientific and comprehensive development to gradually improve the potential to provide theoretical support,for the purpose of watercolor teaching and practice of contemporary china to provide historical reference.This paper mainly in documentary research and analysis of sythesis.
Keywords/Search Tags:Spirit of the aesthetic, Demands, Watercolor, Lack, Independence, Consciousness
PDF Full Text Request
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