Creation Of Woodcut Prints On Paper Hand To Convert The Relationship Between Language

This article attempts to woodcut prints created in the "drawings" and the prints between the "parallel development of mutual relations of the" paper hand-painted wood creation to conversion, by mutatis mutandis between the two, highlights the characteristics of their own to learn from each other between strengths. Paper hand-painted in water-based materials (ink) and the material properties of solid materials on paper to convey through the pen out of a direct, vivid, sensuous beauty. Woodcut and wood knife, version and edition prints produced by the superposition of the United States, although different from paper, the effect produced by hand, but by no means a hand-painted effect can be achieved, it is more than the paper painted a rational general beauty. Writing in the woodcut picture of how the rational control can be emotional at the same time to conduct the performance, that is, the meaning of conversion.Paper hand-painted woodcut prints created as a "rough sketch", is the product of natural phenomena as the visual experience of space based on points, lines, surfaces and other visual elements and the organization and the use of subjective thoughts and feelings to perfusion, the natural space the images into the image plane, after sub-painted on the board plate making, printing into a process prints. Therefore, points, lines, etc. realization of these visual elements are the basis for conversion.With the deepening of creative practice of wood engraving, wood engraving by the relationship between language and thinking techniques, and gradually realized that the language of choice indirect conversion is the key to complete the conversion and should be painted on paper and prints the differences caused by language search to a meeting point (hand-painted paper in the order of creation and the flexibility of wood engraving). So that the real meaning of conversion can be achieved and further sublimation.