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A Study On The Feasibility Of Combining Watermarking Woodcut And Uncategorized Woodcutting

Posted on:2017-02-28Degree:MasterType:Thesis
Country:ChinaCandidate:K ZhouFull Text:PDF
GTID:2175330482484798Subject:Woodcut prints
Abstract/Summary:PDF Full Text Request
Is is a version, edition art prints usually according to the plate making materials, lithography process in the use of materials, tools, to distinguish attributed to different version. The printmaking originator according to certain materials will be converted into the corresponding language, thus forming different categories. A straight since the printmaking originator in printmaking, strict division between boundaries. Woodcut woodcut, coated copperplate, each have their own version of atechnique, is not compatible nor intersect. However, any painting language creativity and artistic techniques of innovation, are by the artist who constantly, repeated experiments were conducted to determine the inherited Yang Abandoned, the previous experience of deep reflection, to break the existing rules and conventional constraints. In this paper, the author attempts to woodblock and out of print colored woodcut techniques from the starting point and the point of the conception analysis, and the second most classical techniques blend together, trying to hit made with woodblock technique characteristics of out of print colored woodcut.
Keywords/Search Tags:Modern Chinese woodblock print colored woodcut arching skill creation process creation experience
PDF Full Text Request
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