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Ma Lan’s Roles’ Building And Aesthetic Consciousness Research In Huangmei Opera Movilization Process

Posted on:2013-03-08Degree:MasterType:Thesis
Country:ChinaCandidate:J J XuFull Text:PDF
GTID:2235330362965277Subject:Literature and art
Abstract/Summary:PDF Full Text Request
Huangmei Opera is one of Anhui Province’s major local operas, and also one offour types of operas which exerted incredible influence on China. After hundred yearsof development in Huangmei Opera, with experiencing explorations and attempts fornew modals, the development for movilization is just a new modal which hascombined both Huangmei Opera and New media. Although the history of itsformation is not too long, it is a creative way for art form. And this creation has madea positive and deep influence on other opera art and movie television art and itsre-creative of the art and widely disseminated performance and so on energize to theChinese Opera, and it also provide a broader research vision in the law of the opera’development,and it has the theoretical considerations of the drama innovativemechanisms too.During the process for movilization of Huangmei Opera, a batch after batch ofHuangmei Opear artists has appeared, who use their hard working and talents havemade exceptional contribution for the Opear’s development and inherition. Forexample Yan Fengying who is the first person being in the film vision, her workGoddess Marriage made Huangmei well-known by everyone. Such as the Huangmeiseries TV drama of Han Zaifeng, it let Huangmei comprehensive art rubbed intomany post-modern elements which set off Huangmei drama hot again in showbusiness. This paper just base on the predecessors’ research, take Ma Lan’s HuangmeiOpear works’ roles building and its aesthetic consciousness in movilization ofHuangmei Opera as one focus, to explore how to make a much over-all conclusionand discussion for Huangmei Opera’s movilization to have a better concession anddevelopment in the development stage and aesthetic consciousness in movilization.The paper is formed by introduction, main body, epilgue, greeting and reference.The introduction part briefly explain the aim and significance for the paper’s topic selection, and also the present situation for Huangmei Opear’s movilizationdevelopment, the direction for this paper’s research and the ways for researchment.The main body part has three chapters. The first chapter will make a simpleexplanation for traditional Huangmei Opear and it’s character. And analysisHuangmei opear’s movilization perform main art trend in three different periods. Anintroduction for the art way of Ma Lan and her effection for Huangmei Opear’smovilization process.The second chapter will have an analysis for Ma Lan’s roles in her HuangmeiOpear films and television programs, and then to explor the role setting for Ma Lan’sHuangmei Opear films and television program works and her performing way for theaffection of the Opear movilization.The third chapter inspects Ma Lan’s films and television program works’ artappreciation character, aesthetic consciousness and aesthetic value from aestheticview. We also have a new consideration for Huangmei Opear movilization to retaintradition or have further creation.
Keywords/Search Tags:Huangmei opera, Movilization, Ma Lan, Iamge-building, Aestheticconsciousne
PDF Full Text Request
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