Interpreting The Language Features Of The Oil Painting From The Perspective Of National Aesthetic Psychology

The national aesthetic psychology, produced from the continuous development ofthe national culture structure and personality in the long river. Under the influence ofthe human environment and the natural environment, it becomes aestheticpsychological experience, which preserved with regional and cultural orientation of theethnic groups. Because of the differences of geography environment, social form andhumanities style, the differences also exist in western and Chinese national aestheticpsychological from the perspectives of attitude and views.So as to make thedifferent appearance on the painting of Chinese and West traditional.During Ming and Qing Dynasties, as an exotic, western oil painting wasbrought into China by missionaries, to broaden the horizons of the world, it also breaksthe unique situation of the Chinese painting. Because of the intrusion of differentcultures, making the artist had to choose between two kinds of the different artforms.At this time, many Chinese painters to take the attitude of “Chinese andwestern”to treat the painting art in the east and that in the west. Many Chinese paintersrooted in the context of Chinese traditional culture. To learnt of the western painting artthrough imitation, and then began to try to explore the formal language of paintingconstruction, which contains Chinese cultural spirit and the aestheticconsciousness.The Chinese traditional culture pays attention to the mental of “image”of the “invisible elephant” and “Nature”, attect by the National aesthetic mental andaesthetic structure.When painters paint it, Many Chinese painters absorbed andborrowed the Chinese-style of imagery thinking.Therefore, the image oil paintingemerges as that time require. And then developed and explored nearly a hundred years.The image oil painting under the collision of the Chinese and western nationalaesthetic psychology and cultural spirit, melts in the western artistic language form inone painting crystal. It comes from two, but differs from both, under the basis of theretention of Western oil painting materials; it gives the "harmony" thought of the language of Chinese classical philosophy, and the traditional art of painting freehandbrushwork spirit, in order to achieve combining emotion with scenery, scenes and themood.As a native, the nationalization of the Chinese characteristics of artistic language,the image oil painting is not only enrichment and innovation on the western oilpainting art, but also to the inheritance and development of traditional Chinese painting.And it is a symbol of Chinese traditional art spirit regression. In this process, theChinese national culture temperament and aesthetic language maximize the influenceof Western oil painting language, showing the "Imagery", and form the languagefeatures of image oil painting, and it plays an important role in the world painting art.The author attempts to define the concept of the image oil painting through theanalysis and study of the "imagery" feature of national aesthetic psychology andsummarization for the process of occurrence, development of image oil painting. Topry the language representation and the aesthetic value of the image oil painting.Toestablished the status and position of the image oil painting in the art stage of theworld.Focus to adopt the research technique in the analogy of schema and case analysis,in view of oil image painting belong to the visual arts. Attempts through to the paintersand works analysis, to know the view and Linguistic features of the painters of theimage oil painging.Explore the behavior of the artistic creations of the painters of theimage oil painging.to make out the Composition of image of the Chinese traditionalpainting in a truly objective attitude.