Out Of Intolerance

The intolerant writing posture is always the main reason why the femalepersonalized writing is criticized. It contains not only the bigotry in portrayingfemale private life and the exclusion in depicting outside world, but also theheart-returning writing strategy, the diseased female living style and the rigidbodily writing, etc.Linbai, who is the representative writer of the female personalized school,adjusts her writing posture to focus on the alive underclass society full ofdebauchery. It is said that the female personalized writing ended, while somepeople wish her transition could indicate a new way for female personalized writing.Actually, changes of the theme are merely appearance, her transition covers variousaspects. She takes a crucial step—the female writing is separated fromintolerance gradually. Meanwhile, Linbai’s transition is based on existingdevelopment of female personalized writing, and it insists the original writingstyle.This thesis discusses the topic in three chapters:In chapter one, this thesis analyses the location and character of Linbai’s transition. In section one, through pointing out incorrectness of‘Whispersend conclusion’, it proves that Linbai’s transition is not the end of femalepersonalized writing but the adjustment of intolerance. In section two, it analysesthe consistency of her new and old works in theme, position and form. And it showsher transition is an inner adjustment based on existing female personalized writing.In section three, it clarifies the necessity of her transition—female writingfaces dilemma currently, and female personalized writing has many problems. It also indicates a new way according to Dai jinhua’s point, that is to separatefrom intolerance and to insist a distinct female writing style which is differentfrom male writing and contains not any simulation or yielding.In chapter two, it analyses Linbai’s transition in three aspects: femaleexisting saying, female desire saying and female underclass writing. In sectionone, it analyses the closed-to-opened procedure of female living space in Linbai’s novel, and the diseased-to-leisured transition of female living style. In sectiontwo, it points out the bodily-writing tendency and problems in Linbai’s old worksaccording to female desire saying. And it analyses the exploration and reflectionin her new works about female bodily writing. If the emphasis of the former sectionsis‘transition’, then section three discusses the insistance in her new worksabout female underclass writing. On the one hand, some factors preferred to beneglect do exist in her old works; on the other hand, her female writing positionand modes of thinking provide a solving method for underclass writing problems.All of these demonstrate the meaning of insisting female writing characteristicin social theme.In chapter three, it intensively analyses problems in Linbai’s postruetransition. The first one is, idolization of free life will cause the lack ofcriticism spirit. The second problem is, the motivity of her writing is to separatefrom anxious but not any other self-conscious pursuit. It will cause blindnessin female writing. The last problem is the shortage of female consciousestablishment. On the whole, female writers are hoped to treat Linbai’s transitionreasoningly, and to learn the experience of her adjustment.