"The Image Age" To Its Next Oil Painting Thinking

Image era, various types of image production and consumption in everyday life overwhelming, filled our retina, and stimulate our visual nervous system, network and television images of multimedia communication, so we stay at home can also watch strange things to the things in the world, we become accustomed to the image of cognition, understanding of nature to understand life through images. Feel natural, artists from the previous direct view into a rely on the image to understand nature, the lack of personal emotional experience of real life and social life, and the very most artists work in a large number of applications to a variety of image and even the "second hand" image creation, increasingly blurred images misappropriated, collage, and reproduce photographs, computer software, such as invasion of easel paintings, images and paintings, aesthetic generalization of the fast food culture and image era painting to be greatly influenced, and painting more and more "image" and vulgarization, the gradual degradation of the superficial, original and handmade.We must recognize, in the image era, the photo is only the intervention of the auxiliary means of the artist painting, digital image, to a certain extent is a logical addition to the artistic creation, and sometimes can also help artists to open up the space of thinking, and the painting is a great need for the active performance of the subjective mental and emotional sort of understanding of the objective object, the artist himself through the heart and the eyes, heart and hand observation and performance. Full of desire in this image, filled with this era of my publicity, artists how to keep a clear head and uphold the right attitude, the correct use of the images, the proper treatment of the resources and the artistic creation of the Pan image era, need to think about today’s important issues.This paper attempts to explain the thinking of the oil painting in the image era from the following five areas:The first part explains the basic definition of the image era and social significance, and explain the image of the "used" is defined in the text. The second part discusses the basic law of the painting, first pointed out that the painting follows the aesthetic foundation, and then focuses on the real importance of the arts, and also pointed out that painting requires creative thought and creative impulse, and finally the artistic process. The third part discusses the painting of the Image era aesthetic turn, made it clear from the consumer era aesthetic generalization and fast food culture. Part IV discusses the "image culture" easel painting of the invasion, the invasion of the cause and intrusion, misappropriation, collage images, images of the shelf copy-hand-painted reproduction of photo; the use of photographic language and images to paint; use of computer software and painting. The fifth section discusses the Chinese Oil Painting "pictorial turn" should be noted that the oil painting of "painting" the lack of appropriation of the image lead to works of lack of creativity, photo tendency is increasingly prominent, oil paintings lack of emotional and moral, as well as, the right to see the relationship between the "image age" and the oil paintings, the last named to regain the importance of sketching.