The Analysis Of Music Characteristic And Singing Style Of The Soprano Aria In The Operas Of Mozart

Wolfgang Amadeus Mozar (1756years-1791years), is the famous composer of the classical period during the eighteenth century."The Marriage of Figaro"、and "The Magic Flute" are the typical representative of the work of Mozart during his mature period. The aria is solo a sections which is used to portray the image of the inner life of characters in the opera cantabile and dramaticly. This paper is anasysed in the way of analysis by synthesis and techniques from the two operas (including the background of the story, characters and features, the characters’ inner activity, the characteristics of musical structure, the specific phrase concert analysis),and help summarize and induce the singing style of Soprano aria during his Mozart’s mature period, in order to a theoretical basis for the better concert performance of Mozart soprano aria.This article is divided into three chapters:Chapter Ⅰ:This chapter is divided into two, the first section is a brief introduction to Mozart’s life experiences. Section Ⅱ studies the life of Mozart opera creation and the art style features.Chapter Ⅱ:It’s about the Comprehensive analysis of the four operas in Mozart soprano aria and singing processing. This chapter one is divided into four. The first section describes the creation of "The Marriage of Figaro" of the opera background and plot synopsis,and analyses and disposes comprehensively the soprano arias in the opera,such as "Courtship God to comfort me"、"Whrer are the good old days" sung bh the Countess and "Come, do not delay" sung by Susanna. The two section,"The Magic Flute", describes the creation of "The Magic Flute" of the opera background and plot synopsis, and analyses and disposes "I feel" sung by Pamina and "You don’t tremble"、"The pain of revenge" sung by The Night Queen comprehensively. Chapter Ⅲ:This chapter inductuces and sum up the soprano aria from Mozart’s mature singing style. This chapter is divided into three. The first section analysises the background of the society and hosity and sums up and anasyses the spcoa; reality and social background that the Mozar’s Soprano aria.Section Ⅱ summarizes and analyzes the characteristics of characters in the soprano aria in Mozart. Section Ⅲ summarizes the soprano aria of Mozart’s music creation features and analysis that. The fourth quarter analysis and sums up of the singing style of Mozart soprano aria.