Aesthetic Culture Of The Chinese Inscribed Board And Couplets

Inscribed Board and Couplets are important material remains of the traditional Chinese culture as a unique form of culture which have been a continuation of the inheritance and development with long history from the Qin and Han to the Qing and even modern. Inscribed Board and Couplets art is inextricably linked with the aesthetic and cultural life of our people.The main purpose of this paper wishes to talk about the inherent cultural mechanisms Inscribed Board and Couplets art, Inscribed Board and Couplets art research and traditional Chinese culture, Confucianism, Buddhism and the combination from which explore the deep meaning of the Inscribed Board and Couplets aesthetic culture by analyzing the characteristics of the aesthetic culture of the art and Chinese Inscribed Board and Couplets.The first chapter discusses the Inscribed Board and Couplets art and cultural background. The source of Inscribed Board and Couplets can be traced back to the voodoo culture of ancient mahogany exorcism of evil spirits and closely linked with China Title culture as a unique Chinese folk culture in the form. Couplet Dating can be traced back to Zhou Dynasty.The second article discusses the focus of some the Inscribed Board and Couplets art aesthetic point of view to start and to the Chinese traditional culture, Confucianism, Buddhism and Taoism as a starting point the Inscribed Board and Couplets aesthetic and Cultural Features are described in and analyzed detail.The third chapter focuses on the types of relics and history of the Inscribed Board and Couplets art now the trend. This chapter not only shows the Inscribed Board and Couplets art contemporary types of relics but also tries to right the Inscribed Board and Couplets future of art history to the reasonable constructive suggestions.In short, the Paper focuses on the elaborate the Inscribed Board and Couplets art aesthetic features and cultural generation and forces to display Inscribed Board and Couplets art deep cultural structure and the inner life space. The paper actively explores the Inscribed Board and Couplets art historical development in the context of the current consumer culture.