Traditional Chinese Painting "Composition" In The Chinese Design Art Of Penetration And Application

Chinese painting has a unique tradition and long history; the traditional aesthetics of composition contain a rich national culture and embody a unique oriental aesthetic taste. In a sense, Chinese painting is not a purely study of visual aspects, but the enduring classic through visual means to carry a cultural philosophy and cultural signs. The design of art and the art of painting have the same strain with very close ties, and there is an implicit communication on a spiritual and cultural origin, and both share the same root."Management location", the trick of the layout of Chinese painting is the most important part of Chinese painting, which is throughout the creating process of Chinese painting, and decided the spiritual temperament and appearance characteristics of the painting. For thousands of years, with the summary of the practice of the ancient Chinese painters, the aesthetics of Chinese Painting position have gradually improved to become an independent, complete with deep cultural connotation and distinctive ethnic characteristics, aesthetic theory, which guides the creation of Chinese painting.In this article I try to use "management location" as foothold, which represents the position theory of Chinese Painting, and start from its cultural roots to analyze the factors of Chinese painting composition aesthetic and artistic characteristics in order to explore the national aesthetic psychology and cultural connotations in the Chinese painting. And I analyze the aesthetic structure of Chinese Painting through the three steps:forming conception, making images and forming structure, which the composition of Chinese painting have to be experienced to explore the culture psychology and philosophical pursuit of the Chinese people on how to "manage" the "location"; moreover, extend the traditional culture connotation of Chinese painting composition aesthetics to Chinese traditional design to find the intersection of the concept of Chinese painting composition aesthetics and Chinese traditional design art and the spirit of Chinese traditional culture is everywhere and profound; Finally, by analyzing the modern design cases with philosophy and rules of Chinese painting composition aesthetic, this article means to stress the existence of value of the traditional aesthetics of Chinese painting and it will create a source of national characteristics design and development and innovation when Chinese design art uses and absorbs traditional culture and art. The article is divided into three parts:The beginning of the essay is an introduction that indicates the direction and the meaning of this research.The first part of this essay show that the progresses of drawing traditional Chinese painting include obtaining theme from forming conception, making images, forming structure. I will analyze the art features and aesthetic constructions of traditional Chinese painting from the external form and the inner spirit.In the second part, through these three aspects of traditional Chinese painting, I will analyze the intersection of the traditional Chinese design art and the management location of traditional Chinese painting by giving some examples.In the third part of the essay, the demonstration that how modern Chinese design art borrows ideas from aesthetic constructions of traditional Chinese painting and passes this on will be made. What’s more it is important to make an assay of the applications and practice of it in modern Chinese design art.Being different from currently available material about the research on the trick of layout of traditional Chinese painting, the emphasis of this essay is studying the aesthetic constructions of traditional Chinese painting throng the cultural origin and national aesthetic psychology rather than summary the law of it simply, and I will manifest how the Chinese design borrows ideas from national traditional culture as well as circulates this and demonstrate the value of the aesthetic constructions of traditional Chinese painting...