Poisonous Weeds In The Movie Love Narrative Research

After founding a state, in the"worker-peasant-soldier services" under the slogan, the film as therichest, the most powerful mass political propaganda weapon, has been responsible for the majority of themasses of peasants and soldiers work of ideological education. Narrative of the socialist revolution andsocialist construction to become grand theme movie center. Love is the most basic human emotions, hasbeen in the works of art the indispensableelement. And love the one or two of personal experience, apparently with the socialist grandnarrative theme gaps, although the filmmakers in dealing with love, as far as possible into the mainstreamideology in orbit, but the"seventeen years" period of political environment changes, so that some in the filmlove, because of love this element is known as the "poisonous weeds "in the name of criticism."Poison" isour country after founding a state "class struggle as the key link" extremely "left" thoughts of product.Since1957has been widely used in literary criticism of political criticism mainly refers to those with Chinaafter the founding of the mainstream ideology of discrepant, was identified as the in the mind is negative,negative, reactionary literary works. This standard was proposed in1957that from after the culturalrevolution has been occupying the main position of literary criticism.The author in this paper based on the theme of "the story","five golden flowers","spring inFebruary" three in the"seventeen years" period is hit into "poisonous weeds" movie analysis, to examinethree films, love this narrative element, how the political changes of the times, been criticized, questioned,distorted."The story" as a new China’s first performance in the war revolutionary soldier of love movie, a revolutionary war theme movie the solemn, grand narrative style, paying more attention to the smoke ofwar under the revolutionary soldier in hero aura as ordinary people emotional expression. Despite the filmcreation, will love as much as possible into the mainstream ideology in the narration of. But the film’stheme of love and revolution is the contradiction between the unavoidable existence. To this onecontradiction can be a reasonable explanation, critics will be this one contradiction or noble, or consistent,which can reasonably consistent with the film’s political role. The theme song of the movie "nine ninesunny days" also with previous sonorous and forceful revolution song tune style, was also seen asunhealthy emotion expression is questioned."Five golden flowers" by a minority of young love, sing the praises of our socialist constructionand socialist new. This fully consistent with the mainstream art film, also be "people’s Daily" named"poisonous weeds", criticizing the film for the subtle art of singing in the film, makes love was criticized asopposed to socialism performance. The new Chinese film bear in the film shape correct love values of themission, in order to work as the foundation revolution partner relationship set, the film shown in theminority of the free love has also been questioned."Spring in February" in the nineteen twenties Furong Town as the background, the story tells ofXiao Jianqiu and gave the rebellious spirit of Tao Lan’s love, but because the film was qualitatively wrongfor the performance of petty-bourgeois individualism in this film, qualitative, the young men and womenwith the rebellious spirit and the spirit of exploration. Be regarded as a decadent bourgeois ideas, two purelove for class attribute error judgment is critical. While the film in the process of adaptation, intends torender humanitarian spirit, also be critics distorted into an unholy passion and critically. The "humannature" light cover.More than three films, both in the"seventeen years" period of political interference of criticism, review the film in the performance of the love, the love is not difficult to find expression not only pure andreserved, makes the film more vivid to the art of. Nevertheless, these love or criticism, visible in the earlyfor the film love is the ideological conservatism and political intervention of" human nature" to ignore.