Discuss The Image Of Zhao Yun’s Text Change And Evolution

The Romance of the Three Kingdoms is the one of the attractive story in ancient China, of which the domestic academics research much on its characters in text as well as text. As one of the Savage Five in The Romance of the Three Kingdoms Zhao Yun’s rank are various in different works, but his main position of him can’t be ignored by anyone. The domestic academics’main research on Zhao Yun’s is focus on two aspects.The one is the image analysis in "Romance of the Three Kingdoms". The other analyze the character’s evolution of Zhao Yun from the historical figures in " Three Kingdoms" to " the romance of the Three Kingdoms"The author attempts to do a comprehensive and in-depth analysis of the image Zhao Yun from historical works, the text of the novel modern film and television works or literary works of different periods, and to explore the characters of the evolution of cultural trajectory.The first chapter is the analysis from two history books" annals of the Three Kingdoms" and" mirror" in the Zhao Yun image, these two works Zhao Yun made on the actual historical records.Zhao Yun in the history of the image is not very perfect, his counsel and care quality records is very clear, but in terms of Wu Yi records is not very comprehensive. So we can say that the historical image of Zhao Yun is more like an official, and his status is not very significant the kingdom of Shu Han. He ranks the end of Savage Five. In the second chapter, the author discusses the Zhao Yun image by two history books-" annals of the Three Kingdoms peace" and " Three Kingdoms in Yuan Zaju opera".In the " annals of the Three Kingdoms", the author main write Zhang Fei but not Zhao Yun. The Zhao Yun’s outstanding performance is his loyalty thought as well as the kongfu, for which the first time expanded description on the changban slope event.In Yuan Dynasty drama" Three Kingdoms opera" in the extant scripts, Zhao Yun was not the main character. But he is one of the indispensable generals by the side of Zhu Geliang. Because of the reality of need to press, he was a businessman. His image is much fuller than of many other historical works apparently. The Zhao Yun position still did not improve. He is not the key object that author wants to focus on. Zhao Yun’s image is a fragment..In the third chapter,the image of Zhao Yun of the novel in " Romance of the Three Kingdoms" is portrayed as a coherent whole image, which is perfect, either from the talent or strategy are other generals far beyond one’s reach. In The fourth chapter, the author discusses the Zhao Yun image from the modern storytelling and film.because of the different form and times, Zhao Yun was pumped into the contemporarypeople’s cultural consciousness, from the text" the romance of the Three Kingdoms" by "God " to" people". The fifth chapter is divided into two aspects. Firstly analyzes the image of Zhao Yun from a historical figure to the literary image of evolution. Zhao Yun’s image is comprehensive and fullful, and his position in the Shu Han Savage Five is also greatly enhance. Then it discusses the cultural consciousness of the image of Zhao Yun, included in the evolution. The image of Zhao Yun ’s evolution is effected by the background of the times, ideological culture, identity of the author and understanding, text styles and so on.