The Research On Interior Floor Decoration Art From Han To Tang Dynasties’ Architectures

The issue briefly introduces the origin of Building indoor ground decoration andanalysis the concept of Building indoor ground decoration(especially the vault andGrotto room) by putting the indoor ground decoration into the whole indoorenvironment design. Based on this, the issue talks about different kinds of patterns ofthe building indoor ground decoration, especially the cosmic vision of “ModelingHeaven and Earth”. With the help of archaeology references and the data from fieldinvestigation, the issue classifies the paving brick in the sites of main palaces of HanDynasty and Tang Dynasty in archaeological ways. Tiling on the floor in Han Dynastyand Tang Dynasty are typical, so the issue compares they two. Narrow brick is anotherkind of floor tile, through the analysis of its standard, we can know that narrow birck’slength,width and thickness all have their constant proportion,and that is the premise ofmodular decoration of the floor. The issue drew a conclusion of the art feature of narrowbricks in jin and southern-northern dynasties. Soft materials like cotton quilt and seatsblanket are the another main form of indoor ground decoration, they were widely usedby people with the nomadic people’s migration from prairie to mainland. Consulting toreferences and graphic documents, the issue analysed the design art of the floorcloth insouthern-northern dynasties and Tang dynasty and concluded their characteristics, andmade researches on carpets in the wall painting of Mo Kao Grotto at Dunhuang, thesculptures and paintings which imitate the carpets included.