The Image Analysis Of The Qiang Female

This thesis describes the rheological process of the plight and the image of the Qiang’s women in the changes of diachronic era from the lengthways time, tries to generalize and analyze the female image of Qiang’s in a panorama way from Ancient books, epic, myth and legend story to Zhuang Xueben’s photographies about the nations of China’s western border before China’s liberation and then to the Qiang’s women’s definitive images.Ddifferent medium construct different Qiang’s women’s images and analyze diffenrent resort:paper mediums this thesis chooses are People’s Daily’s news reports during1949-2010and the National Illustrated Magazine from1980(1) to2010(10); netmediums it chooses are network news on People, com. Cn during1997-2010, two movies, Ode of Bamboo Flute and Erma’s Wedding, and two documentaries, My Home:the TaoPing Qiang Stockage and Our Winter. Using direct visible images of Qiang’s female as a viewpoint, citing social gender, visual culture, semiotics, ideology and so on as theoretical methods, this thesis discusses how to construct and shape Qiang’s female images in the spread of the Qiang’s people’s images, how the images play a role in the view field, how mediums, as one of the tools of ideology, play a role in constructing female images, how the Qiang’s female state and express consciousness in the image transmission and the reality and what the female image implied symbols point. The thesis tries to new visual and media minority women image criticism involved, from the media publicity of the construction of female image culture, national elements present and social role microscopic dimensions of visual implication national identity, culture identification and social environment changes in ideology, to explore the media to minority women image and building of the true.