The Research On Characteristic Of Female Directors’ Film And Television Creation

The evet of the women’s movement of the early west caused a large number of women whostrongly required for the same social status in the political, economic, cultural, life etc with men ,Feminist holds high the flag of feminism and sets up a certain theoretical system of the feministtheory ,which guides the women in the family and society in all kinds of activities , Includingfilm and TV art, But the tide of the struggle for power in both men and women does not seem tohave a profound influence on the Chinese film and TV art. Since the founding, althoughmainland China female directors gradually boarded the stage of history team, but in their filmand television works of art creation, which is stuck with "feminist" label. May be we can only toview it in female subject , because there are not a real meaning of the women’s movement and afeminism in mainland China, but it does not prevent female director female thinking deeplyfemale consciousness From a little perspective, there are no profound relationship between Chinafemale director of female consciousness and politics, but female consciousness gradually formedfrom scratch. Of course, it is no doubted that the Chinese women’s fate is tightly attached toChinese history "Women by the special course leading to the surface, whether as a historicalphenomenon or as a group experience are worth thinking about the existing significance andvalue such a group in the society as independent person.Now, many contemporary andoutstanding female directors are still active, such as LiShaoGong, HuMei, li yu, GuoXiaoLu, xujinglei, feihong yu, zhang ziyi and so on. They express the female consciousness obviously intheir film work. But the emphasis female consciousness i refer to is not equal to the feminist andfeminism, they are two different categories , because women consciousness is a more generalconcept,and more associated with politics.Through the social historical category to think abouthuman nature itself,and we does not discuss the sex and race, however, simply from the point ofview of the female sex,we interpret female consciousness penetration and expression in videos offemale director ,because any art works contains the artist’s thought, including movie and TVarts,so contemporary female directors convey a female consciousness through their excellentfilm and TV works consciously or unconsciously, but this self-awareness is not from their first inthe film creation show, their personal growth process and social psychological factors play animportant role in their works. In China, people are accustomed to the connotation and meaningof a work through the political Angle, national Angle or class Angle, and the determination of thefilm work’s value , Attention they pay to on political and national and class differences deeply covered works to the concern about gender differences. And we now have to admit the fact thatthe complexity of the human society are not limited in politics, the national feelings or classinterests, because people not only belong to a class of alignment, accept some political ideas, orhave a certain national emotion, but also have some gender consciousness, the genderconsciousness makes the author and readers show the differences about special cultural conceptsand aesthetic feeling.The diversity about sex inflences the artists on narrating or shaping theimage,which inevitably is labeled a gender, and the value that this kind of consciousness reflectsguides the public and impact the audience outlook on life and world view.As is known to all, through the art works, we can understand the artist’s thought.In my paper, theemphasis is put on the study about female consciousness contemporary China female directorexpressed in their works, and therefore we must be thoroughly analyse their film and televisionworks, find the way how they reshape the image of the mother,study in the perspective of womenand how to produce film and television works that is different from the male director’s bywomen exquisite film language style. Because the present domestic most researchers focus on afemale director personal experience and the work of the research, or personal interviews, so theresearch of the gender perspective to study the whole group consciousness is unusual. The filmand TV art is rooted in literature, so must use the method of literary criticism to scientificresearch film and TV art, therefore, this paper is based on the theoretical basis of the literarycriticism of feminism, overall shows this special group of film and TV art achievement withunique visual Angle, so that, in the film and television works on the one hand,we can understandthe common desire and pursue of the suffering or joy of the life, on the other hand,we canunderstand different feeling of the life a "man" and "woman" experience.