On The Family Writing Of Female Novels Since The New

In the texts of female literature,"family" is a very important subject."Women and the family" is a theme of female survival that female literature always can not avoid. This paper takes these novel texts written by the female writers in the new period as the object of study, and takes "Family" as the starting point. This paper aims to grasp and analysis the tension relationship between "women and family" showed by these novel texts, and explain the formation, characteristics, manifestations and enlightenment of the relationship, then to discuss on the formation of female discourse and its aesthetic culture means.Except the introduction and conclusion, the main content of the this paper can be divided into three parts.The first part:the evolution of family writing. Take the time as the clue to investigate the family writing about women’s literature in the new period, it will be divided into three stages. Family writing dreams period:Zhang Jie’s love, is not to be forgotten and the ark, Zhang Xinxin’s in the same horizon etc. as the representative. During this period, the family writing was idealistic, dreaming of family and love, still looking for man. Family writing sinking period:taking Wang Anyi’s three love, Gang, Tie Ning’s Rose Door, the Bathing Woman as the representative. This stage of the family writing broke the spirit of love of the previous period, and incorporated sex into the scope of the text description. Off the veil of the beautiful dream, the female writers began to stand on the position of human nature, to unscramble the fate of women on the root of culture interpretation of history. Family writing deconstruction period:taking Chen Ran’s private lives, no farewell, Lin Bai’s one man’s war as the representative. This period of family writing has a gesture of defiance. They are highly concerned about the female experience, deconstruct the patriarchal order.The second part:highlight of the Female subject consciousness in female family writing. Discussed from three aspects:the lost after leaving sorrow, mother spirit cold questioning and women struggling to rebuild themselves. In the texts written by male writers, female image is constructed by the men’s imagination, Women lost their subjectivity, become the object being seen and appreciated. When the female subject consciousness awaken,, female writers began to rebel the feminine image written by men. They deconstruct the image of women in male dominated culture with a rebellious attitude, attempts to remodel female self.The third part:the construction of female discourse in the family writing. This chapter tries to construct the family writing narrative way as a starting point to explore the female discourse. In the new period, the family writing show the most private female experience through the narrative perspective of internal focalization and make women’s own voice through the narrator "I" in the text. At the same time, the female writers focus on the use of narrative strategy, through strategy such as the daily life narration, narrative fragments and language defamiliarization to forme unique narrative style.This paper based on the feminist theory, drawing lessons from the research method of narratology, the sociology of culture, ethics, starting from the specific analysis of literary text, take time as the trend of the development of female literature writing clues to sort out family in the new period, discuss the narrative strategy, excavate the aesthetics style and its cultural meaning family writing, and strives to make value judgments.