Yi Pens To Write The Raw Poetic Painting Environment

China has a long cultural tradition, profound, and also has astrong assimilation and integration. Independent art style paintingwas introduced to China a few centuries of copying from theoriginal to this development and changes in traditional Chineseculture plays a very important role. In particular, modern paintinghas developed by leaps and bounds, more performance out of thepursuit of artistic conception, reflecting the strong national style.Mood requirements has always been in traditional Chinesepainting, Chinese painting as the primary, this cultural tradition hasgrown up on the development of Freehand painting.The article first describes the change and development of oilpainting in the West, mainly from the classical idea of the realisticstyle similar to the changes focus on the expression of innerfeelings, which is what Chinese painting freehand. In particular,contemporary oil painter has even more impressionistic as the firstrequirement. It is in this context, many artists on the mood of thepainting performance to continuously explore, and create alandscape painting with the characteristics of traditional Chinese culture.The article then described in the the Western freehand claimson the basis of traditional Chinese painting and the Spirit. Morespecific communication of mood is the thrust of the painting.Articles in Chinese and Western paintings contrast the processof the third part of the center of this paper focuses convey the moodin the painting. Described the mood in the process of sketching theperformance of the three parts of this chapter carve. The first is todescribe the true nature of feeling and expression, followed fromthe natural and true to the real art of transformation, and finallyreached sketching the highest requirements-beauty of artisticconception.The development of the Chinese freehand painting, thanks tothe traditional Chinese painting concept. Understanding of theconcept of traditional Chinese painting, Chinese painter of thelingering plot and the pursuit of artistic conception beautyintegrated into the painting scenery, making the contemporaryChinese oil painting a big step forward in the process.The image of landscape painting in China in order to furtherdevelopment, must be systematic study of Chinese painting, beforethe concept of traditional Chinese painting based on the grasp ofthe context of the image landscape painting, and then searching for the creation of the modern Western landscape painting imagelandscape painting creative elements, weaknesses while drawingon the observation of Western painting methods and forms ofexpression, so in order to better grasp the image landscapepainting, rather than in the traditional sense of Western oil paintingcopy, or novelty, the only way to make Chinese painting further tothe before development. Painters of the older generation of Lin, LiuHai-su, Wu Guanzhong, freehand painting of traditional Chineseculture to explore the creation of the nation’s traditional culture meltinto landscape painting, fully reflects the potential of the Chineselandscape painting. In the contemporary the there Zhaokai Kun,Hong Ling, Ren Zhuanwen painter gives the flavor of the times ofChinese painting.