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Recognition Of Chinese Landscape Painting

Posted on:2016-03-07Degree:MasterType:Thesis
Country:ChinaCandidate:J C WuFull Text:PDF
GTID:2285330461477433Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Chinese landscape painting in the wake of the development of age and society is constantly changing, from traditional landscape painting to modern landscape painting development not just in the feelings and thoughts of different aesthetic orientation, more reflects the Chinese and western culture, the concept of a collision and fusion. We can clearly see in the process of the change in the modern landscape painting is a blend of many western sketch ideas, such as improvement of thread and use for reference the concept of light and shadow, the strengthening of the consciousness, these all make the modern landscape painting landscape has changed. How to find the appropriate in the context of Chinese and western cultural fusion accurate intersection, and then find belongs to own painting language and graphic look, is this article to discuss the problem.This article revolves around the modern landscape painting sketch this big direction on research, through to the concept of sketch, the different methods and analysis, argument do not take the sketch is hard to form a unique artistic appearance, sketch play a role on the development of Chinese landscape painting is very important.Secondly by panting, experience and their own sketches experience introduction to sketch the state should be able to feel mountains and rivers, love nature, namely in the real scene to cultivate emotional, to keep the sensitivity of the observe things at the same time. The development of science and technology make the sketch tool increasingly diversified, the diversity of the sketch tool records must be of landscape painting sketch to develop in the direction of diversification is an important factor, therefore this article briefly discusses to take advantage of modern painting tools for sketching services.In this paper, the fourth part mainly discusses the landscape painting in the new era of performance include: places sketch or "places", strengthening the sense of picture composition, enhance performance, rich personalized ink painting language, the seasonal weather describes emphatically the metamorphosis, draw lessons from western ideas make experimental ink sketches five aspects of content. Emphatically discusses the Li K ran Sir "places" practical guiding significance. By demonstrating analysis Q Song rock works, only constantly accumulated material, exercise pen and ink, places of creative thinking is the true sense. Second Lin, as an example to analyze the draw lessons from western painting forms in the process of continuously sketching to gradually strengthen the meaning of the sense of composition. By analyzing Li K ran and panting form personalized pen and ink language, put forward to should abandon the traditional stylized ink, painting language, rich in weakening on the line and pay attention to regional texture build should be improved. To catch the seasonal weather focuses on the scope, also is an important skill in sketching, can record the scene feeling, bold atmosphere described emphatically, clever depicting the seasonal weather, can enhance the sketch metamorphosis, sketch a more lively and interesting. Then offered to try to learn from experimental ink painting in western philosophy, emphatically in landscape orientation and the view direction comparison, analysis of the differences between Chinese and western concept sketch painting techniques: western painting is established on the basis of scientific and rational, while Chinese painting is the feeling of the subjective position of the main. At the same time puts forward the phenomenon of western painting and Chinese painting in the new period, can strengthen the light source on the object shape, creating a dramatic scene; Tonal unity of visual effect, mainly focus on overall atmosphere. Paper, the fifth part to Li k ran paintings as an example, the analysis of the painting and it has the narrative leaves the viewer to the imagination, so a good image of the landscape painting works can be achieved and the viewer in spiritual interaction, teacher, must be to fully express their feelings, the content of the painting to psychological resonate with viewers.Last about the influence on the development of the sketch of landscape painting in the chapter, the author published insights. Concept of fusion of Chinese and western painting techniques of painting is a landscape painting development innovation breakthrough. Sketch can be collected material, can be exercise composition ability, can exercise their own ink is, we should realize the infinite beauty of nature in the sketch. The author thinks that this is because the painter in the sketch feel when the object is different, refining the painting language is also different. So want to have my own style to find in nature, found suits own painting language, and apply it to the screen will slowly form a belongs to own face.
Keywords/Search Tags:Sketches, expression, western painting, composition, artistic conception
PDF Full Text Request
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