The Qingzhou Northern Qi Statues Of The Artistic Style Of Research

Buddhist Sculpture and tomb sculpture is two very important part of the history of Chinese sculpture history and arts and crafts, crown singing the ancient and modern, the lack of a history of Buddha statues, Chinese art history will no doubt be overshadowed. Divided into four chapters of this article the author, standing point of view of the sculpture, Qingzhou Northern Dynasty Qi statues, and Qingzhou Northern Qi statues of comprehensive analysisThe first section briefly describes the ancient the Qingzhou geographical and political power. Start by the the Qingzhou Longxing cache of Buddha and made Buddhism the longitudinal direction of the Northern Dynasties Buddhist style changes and historical mystery source to explore. Qingzhou Buddhist style changes than the trend and impact of its philosophy and aesthetics to be addressed, drawn only Green Island has a unique style.The second part Qingzhou sculpture techniques. Qingzhou Statues of a variety of processes, techniques, research center, comprehensive factions harbor various process do lookups, research conducted by consulting ancient. Analyzed the records of the history of material and the information conveyed from making Buddha, integrated all the techniques, especially in Qingzhou Northern Qi sculpture in the round stand statues. The skills and approach to deal with not only aesthetic principle, more avant-garde sense of far-reaching influence on modern sculpture.The third part of Qingzhou Northern Qi sculpture in the round statues of, for example, a comprehensive analysis of the theory of modern sculpture of the Buddha statues. Share three parts:the bearer of the Green Qi Li Buddha Buddhism, aesthetics, art, technology, science and technology, sculpture and emotional aspects of exploration, the interpretation of the issues related to the Buddha statues; complex to manufacture the entire process of Buddhism, Buddhism as a creative theme; from the making point of view, to interpret the teachings of Buddhism. In the Qingli like art handling, I do a more in-depth analysis. Described in Qingzhou Northern Qi sculpture in the round, Oliver meets the aesthetic characteristics of the Northern Dynasties, the aesthetic law it reflects contemporary people respect homing is a high degree of unity of form and content of the sculpture, a complete interpretation of the possession of emotional expression and spatial manifestations.The fourth is divided into Qingzhou Northern Qi statues of inspiration for contemporary sculpture. The above assertion, and found many aspects of contemporary sculpture Qingzhou Northern Qi statues of the heritage of contemporary manifestations of possession of emotional expression and space to explore new development of modern sculpture.The first part of the texture in the screen in a scientific and detailed interpretation. Secondly, it describes the historical origins of the texture techniques in the production of fine brushwork bird.The second part, the specific analysis of the causes of the texture techniques contemporary fine brushwork bird, and the creation of texture in this field of painting techniques into the production of paper, the use of special tools and special materialsaspects of the detailed examples and research. And fully demonstrated the development trend of the texture technique in fine brushwork bird.The third part of the analysis of the significance of texture techniques for fine brushwork bird, and trying to figure out the existing problems, pointed out that the texture creation is just a graphical representation of the means of not losing the quality of fine brushwork bird style.Part IV, combined with their own creative practice, and illustrates the creative inspiration in the fine brushwork bird.