The Studying Of SuShi’s ZaTi Ci

Zati Ci of song dynasty has been considered as a game creation by critics for a long time. Artistic achievements and the values are both not high. Sushi’s Zati Ci are not right evaluated in comment under the framework. In fact, researchers are not carefully find the value of Su Shi’s Zati Ci. This article will start with each of Su Shi’s Zati Ci, detailed analysis of its ideological content, structur, characteristics and summarized its stylistic rules and significance. We believe that the small number of Su Shi’s Zati Ci have high artistic achievement, particularly significant. In renewing the historical background of CI, Su Shi’s "yi shi wei ci" ideology led the Ci to open up new areas, and Su Shi’s Zati Ci is " yi shi wei ci " embodiment of the concept of CI.The thesis can be divided into three parts. The first part is introduction, having a rough reviewe of Song dynasties about Su Shi’s Zati Ci of studying and slightly elaborate signficance and value on the study of Su Shi’s Zati Ci. The second part is the body of this paper which separated into four chapters to study Su Shi’s Zati Ci. The first chaper will discuss on classification of Su Shi’s Zati Ci and the scope of the our investigation. There are eight kinds about Zatici in Luohanglie’s "Song Ci ZaTi ". Su Shi’s Zati Ci have five kinds such as Jijuci, yinkuoti, lianjuti, huiwenti, qianziti, dumuqiaoti. But lianjuti is controvesy. Artistic achievement of Qian zi ti is not high. They can’t stand for artistic achievement of Su Shi’s Zati Ci. So the thesis just discuss about five jijuci, eleven yinkuoci and eight huiwenci of SuShi.The second chapter will study Su Shi’s five jiju Ci, apart from ding feng bo which describes bamoo. The remaining four are given bi xing and jituo. Nan xiang zi· jiju hanyuxiningfu,nan xiang zi jiju—changwangsongchunbei, nan xiang zi jiju—hechuyilangan, nan xiang zi jiju—hanyuxiningfu, ruan lang gui meici which express the sorrowful emotion for spring’s went by and hope it can come back immediately, women’s boudoir to worry about complaints, women’s beauty and girls yearning for love of complain in surface, but in fact they express times is no longer and can’t return forever, strongly homesickness. what’s more, the ambition can’t come true in limited time in Jiju Ci. The passing of time and not being recognized make them frustrated. SuShi expressed the ambition with " vanilla beauty " traditional of poetry. Besides, sushi’s jiju ci put the poetry of Tang and Song dynasties together and use the metrical of poetry, integrate the form of the poems in skills. In this way, sushi’s jiju ci embody " yi shi wei ci" tendencies in content and form.The third Chapter will be about Su shi’s yinkuo ci. First of all, direct purpose of11yinkuo ci are in order to make the original work’" tonal rhyme "and easy to sing. It can be used as a evidence of SuShi’s CI to meet the tonal rhyme. Secondly, Su Shi use classics of the former worthies to express the emotion. Finally, Su Shi also use poetry and essay into ci to transform and integrate different stylistics. In this way SuShi open surrounded Yinkuo CI in Song dynasty first in emotional communication with older generations and reconstruction of CI.The fourthChapter will be about Su Shi’s Huiwen Ci. Seven pusaman superficially deliver women’s miss for lovers and relatives, women’s worry about idle dream and loneliness lonely, however, they convey a sense of the author’s life and the sighs of love and times. xi jiang yue’yongmei—machenxiangweiluyuan which is about wintersweet by Palindrome express their feelings to proud and aloof by no association with evil elements and cleanness of the personality of wintersweet. Besides, SuShi transplantate " traditional vanilla beauty " of poetry into Ci to express the ambition from the content. His sense of hisself playing into the boudoir to worry about complaints and chanting. From the formal, Su Shi’s first " palindrome " this previously used in poetry and in the form of skills in ci which may be Su Shi’s advocacy of CI. Su Shi enforced lyric expressing ideal functions and further strengthen the skills and text of CI by this means. In the mean time he enriched and developed the skills of ci since his innovations and further creativity.The last part of the thesis was conclusion from four aspects. First, from a content point of view, SuShi’s zatici are not pure express a emtion of spring, pretty and coquettish body of the woman and sorrow, but take " vanilla beauty " than a metaphor, have a sense of life time sigh. Secondly, from the perspective of emotion on the identity, nominals to set the previous generation members of Su Shi’s hybrid masterpieces, in which to convey his own emotion, reflects his esteem and understanding of the works of classical writers, Besides, from the formal point of view, miscellaneous nominals to borrow the previous generation members of Su Shi’s poetry, predecessors of the style of poetry, text, word and many other forms of mutual conversion, integration, expanding the scope of space in the body and the word. Nominals for later generations of hybrid creation provides a model of general lessons. Finally, miscellaneous nominals of Su Shi’s background is the creation of his " black poem ". For disaster avoidance, many would like to express the emotion in poetry, skills into Ci, this is fully reflected in a miscellaneous nominals. SuShi nominals are hybrid of Su Shi’s "yishiweici " ideals in practice on the road to a successful attempt on the formation of Su Shi’s CI high status. It is very important.