Keyword Research On “Yin” Of Song Dynasty

The academic of Song Dynasty is in the middle position of the history of Chinese culture, it plays a significant role in carried on the Qin and Han Dynasties as well as guide the Ming and Qing Dynasties. There has always been seen as an important connection point in linking. When the “Yin”, one of the most important keywords as an integral part of the history of the development of China culture, is at the time of Song Dynasty, whose culture is highly concentrated, appeared classified and systematic.The main part of this paper is divided into five chapters, which is described in introduction-elucidation structure, is on the premise of general analysis in “Yin”, and discuss the keywords which is frequently used in the Song Dynasty or unique, such as hermit, argot, yinkuo, explicit and implicit and reservation.First of all, plumb the history of the development of “Yin”. In the pre-Qin period, “Yin” is in the non aesthetic category, the origin of it can be depicted in two aspects, in term of the font and meaning, “Yin” derives from an action which is called “hide”; and in term of the general interpretation, “Yin” originate from a language skill which is called “argot”. From The Spring and Autumn period to the Song Dynasty, especially in the Song Dynasty, “Yin” changed in both implication level, personal level and the style level, “Yin” is not only appeared gradually classified and increases progressively, but also become more mature and system.Secondly, search on “the hermit” in Song Dynasty. Since Pre-Qin period,the literary men’s views of “hermit” are different, and at this time, the viewpoints like “abide time”, “poverty can also be an official ”, “fate ”, “content poverty as they are”, “shenyin”, “ xinyin ” have a great impact on the Tang and Song Dynasty. The “hermit” in Song has number of variations, since the pre-Qin period, the keywords such as “poverty can also be an official” and “shenyin”, became a guide to the “hermit” in this time. What’s more, the Song’s government began to took “seclusion”, “yincao” and “yinde”as a standard in character evaluation. The Song Dynasty has a combination of contradiction in spirit and character. From the aesthetic of spirit, Song Dynasty’s hermits sometimes are in a leisurely and carefree mood, and from the angle of the personality, hermits always have a distinctive disposition.Thirdly, discuss the “argot” in Song Dynasty. “Argot” is a style that is euphemistic expressed by figurative, allusive, metaphorical and ironical methods, etc. Before the Tang Dynasty, as a meaning of the insinuating remarks, “argot” developed into two kinds of category, namely “yinchen” and “riddle”. By the time of Song, “argot” appeared a diversified trend, it mainly happened in several ways like “yinchen”, “jargon”, “riddle” and “jiyu”, and in the perspective of application, it is often associated with “xian”, “tiyong” and “limit” and so on; argot in Song Dynasty has the unique sense of beauty, considering the stamp of “elucidate argumentation”, it has a cryptic aesthetic feeling called “liyin; and owing to the characteristics of popularization and entertainment, it shows up “xieyin” in the use of “tongue-in-check” humor; what’s more, people in Song like quote very much, they are particular about the provenance of every word, this makes argot a beauty of “quyin”.Fourthly, analyze the “yinkuo” in Song Dynasty, which is a main points. The Song’s “yinkuo” is the result of the development and change of the period since the Pre-Qin period. Before Song, “yinkuo” is a general concept, the bent wood is the object of it, at the time of the Warring States period, the object of “yinkuo” turned into the ambit of person; after the Eastern Han Dynasty, the object of it referred to extends to the article, No matter whether it is for people and article, the object of it belong to the “bent wood”. When it comes to the Tang Dynasty, the object of “yinkuo” which is based on the basis of article,turned up to refer to the “straight wood”. This phenomenon in Tang Dynasty is not a overnight success, it is associated with the Pre-Qin Dynasty and Northern Qi period. Under the influence of these conditions, the object of “yinkuo” in Song Dynasty are mainly “straight wood”. Different from other ages, “yinkuo” in Song is in the narrow sense, which is refer to the style. “yinkuo” in Song is constructed mainly in two ways, which is summarizes and extracts, also, it mix the rhythm and the rules of rhyming with diction. The main characteristic in Song Dynasty lies in a synthesis. it is a combination of implication, practice and courtlike interest. It is not only circumlocution, but also suit both refined and popular tastes.Fifthly, briefly analyze other keywords in the Song Dynasty, such as “implicit and explicit”, “yiwei”, “yinxiu”, “yinhui”, etc. Among them, “yiwei” has been used to refer to the “implicit” in the Song Dynasty, and “yinhui” in this time, had broke the ancients routine, there is a phenomenon that “it is a taboo when writing”.The finesorted keyword of “Yin” in Song Dynasty has not only unique functional characteristic, but also a linking effect on the history of Chinese culture. The concept of the Song Dynasty is extremely idiosyncratic, and to a certain extent, it makes influence on later generations. Among them, there is not only a self-examination from the later generations, but also lay a solid foundation on the succeeding generations.