Multidimensional Paradigm:A Rustic Opinion On Formation Of The Internal Thought Of Tung Ch`i-ch`ang ’s Bruch Stroke

The theory of Tung Ch`i-ch`ang ’s Brush stroke formed has multidimensional sources of theory andlanguage paradigm, in language paradigm aspect, As the texture stroke method paradigm of Dong yuan forCenter, Through an in-depth process of studying and Copying for master of Song and Yuan dynasties,Dong has select Dong Yuan ’s texture stroke method paradigm as a priority paradigm is the important partof the theory of Northern and Southern Schools and in practice aepect, the The Dong Yuan ’s paradigmis the important object as imitation. So, in theory and practice of construction, Dong Yuan of priority andstability has embody to reflect. And in theory, the theory of Brush stroke is avoidance for collision ofExaggerating Style of Study Trend in Last Years of Ming Dynasty，and emphasize the way combine thebody practice and Epiphany way of thinking,in other words,"much cultivate makes Bodhisattva"，that ismean that a long-term practice process as a results. On the theory field construction, Tung Ch`i-ch`ang ’sthought is established in interpretation of previous generation’s mainstream thought become a subjectivefield, And this subjective field domain by a ordained of North-South differentiation of field to structurize,in South field means the painting of mainstream and elite community, and in North means out ofmainstream and suppressed by the limit of the structurize of the discourse，and this structural limits notonly is in Tung Ch`i-ch`ang ’s era, also including on posterity，thereafter of in Qing dynasty painter, as longas in its subjective field domain, that is to say, In a force field that is if it has a place he also means that thestructural limits of the field, and for future generations, art activities, would tacitly accept the constraintsand possibilities inherent in the field.By the comparing the subjectivity of behavior and the thought, to say, this exist a split or said adifferences, in the subjectivity of behavior, he has a conservatism and a mature politicians of position,whenever political turmoil comes he always was able to protect themselves by virtue of its keen of politicalsmell and escape out of political struggle field. And in personal contacts area, he always as late MingDynasty radical faction of important intellectuals for friends, and is respected Li Zhi and Gong An Sanyuan ’s radical thought, But in the subjectivity of thought, Tung Ch`i-ch`ang ’s has do limited of accept, this large differences of thought makes its Brush stroke theory has multidimensional and complex, or to said,descendants in accept of its thought of when, also just from a while be accept, this also while show hasTung Ch`i-ch`ang ’s thought of "predictive": in Qing dynasty official aesthetic ideology of unified of oftimes, theory in of scholar painting class out of office and official class are made has powerful of influence.It seems to me, the value of Tung Ch`i-ch`ang ’s Brush stroke theory exists two sides: one isdeep ploughing on text and came of a stability of genealogy structure, this practices has actively guidesignificance on art theory construction and art practice. Second, Tung Ch`i-ch`ang ’s theory and not fromspecific social context and generated, is close pursuant to reality of "practice", this is a corrected that wetoday engaged in art practice among of some just imitation ancient ’s thought and blindly learning Westernof thought. OWTTE or Words To That Effect, the theory of Brush stroke is not contrary to the reality.