The Rivalry Beauty In The Field Oecological Aesthetic

Chinese ecological aesthetics develops the Chinese style ecologicalaesthetic criticism with coupling Western ecocriticism. From the view ofecological aesthetics to summarize the “former ecological criticism” of“Romance of the Three Kingdoms”, take the “ecological harmony” as thestarting point of research, from today’s ecological aesthetics system and usingthe “rivalry aesthetic style” to take ecological aesthetic criticism with“Romance of the Three Kingdoms” has the innovation meaning.“Romance of the Three Kingdoms” is a literature in the modernecological aesthetic field. Its styles s of ecological beauty generally characterizeby sublime, tragedy and comedy. From the first story “Putting down the yellowturban insurrectionary” to the tenth “battle for Hanzhoung”, the rivalry subjectLiu Bei group group rational competes, and own on their own rational in thisphase and show their lofty beauty of. From “the death of Guan Yu” to the “sixtimes out of Qi Shan”, Liu Bei group group irrational competes, and they aredefeated in this stage becase of their irrational competition. The novel’saesthetic style also changes into the tragic beauty. In the last two stories,“ninetimes send armed forces to the Central Plains”" and “the Cao and the Weidefeated the Wu”, Liu Bei group group absurdly competes. The Shu and theHan perished, and this novel eventually came to an end with tearless comedybeauty.Trinity develops the ecological beauty in “Romance of the ThreeKingdoms”----“the rivalry beauty”.